Michael Kimmelman reviews the Rouault exhibition in today’s NYTimes. “At one time Rouaults reputation rivaled Matisses, and his clowns and prostitutes were as ubiquitously reproduced […]
Solo Shows
The superslick, super-flat, superexpensive paintings of Takashi Murakami
Jerry Saltz reviews the show in New York Magazine. “The main attractions of this exhibition are 50 little happy-faced flower paintings and six large portraits […]
The inscrutable Sigmar Polke
In today’s NYTimes, Carol Vogel visits Polke in his Cologne studio before he ships his paintings to the Venice Biennale. As is always the case […]
Roberta Smith looks at German paintings made with a wink and a sneer. “Painting may go in and out of fashion, but its many lifesaving […]
Art Forum critics’ picks for the month
George Baselitz in New YorkChristopher Wool in Berlin
David Godbold’s mirthless mirth
Ben Davis dissects David Godbold’s snarky exhibition in artnet today. “Contemporary art is universally irreverent, but most often none too funny. This observation is particularly […]
Edward Hopper’s Feng Shui
Peter Schjeldahl reviews the Edward Hopper retrospective at the Boston Museum of Fine Arts.The scale of the paintings is indifferent, in the way of graphic […]
Michael Kimmelman NYT review of Myron Stout
Art Reveiw The canvas, Stout wrote, came not from any remembered form of flowers or flower beds but from a tree outside the door, a […]
Dana Schutz Fest
Schutzs new paintings are at Zach Feuer through May 19. Holland Cotter weighs in on Schutz’s show at Feuer in The New York Times. “The […]
The accumulated weight of experience
Richard Rhodes on the new abstraction: “Painting has regained its relevancesocially and professionally. It has re-established a life for images beyond photography and the mass […]
Ellsworth Kelly rocks at the Tate Modern
In The Guardian, Jonathan Jones wonders why gallery goers aren’t blown away. “If Kelly makes you see the sheer beauty of minimalism – as opposed […]
