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Todd Stong: Probing art history
Contributed by Bill Arning / Philadelphia is having a moment as a city where artists can still afford to live and work. In an essay for the journal
Evolving horror at Management
Contributed by Patrick Bell / When the world stops making sense so does the body; the figure comes apart at the seams and becomes grotesque. “New
Jihoon Cho: State and shadow
Contributed by Kenneth Greiner / Jihoon Cho, a South Korean-born artist-in-residence at WIP Space in Wandsworth, London, recently unveiled his latest
Daniel Correa Mejía: Harmony and flow
Contributed by Will Maddoxx / Lately, I’ve been thinking a lot about surface. Daniel Correa Mejía’s show “El amor se esconde como un animal
Matthew Gilbert: Pick-up trucks, no pink carnations
Contributed by Bill Arning / Plunked in the middle of Matthew Gilbert’s solo exhibition “Pretend Till It Hurts” at Jane St. Art is a
Torild Stray: Between Bergen and Brooklyn, circuitously
Contributed by Patrick Neal / This time of year in Norway, the sun sets around 10 o’clock at night and rises at 3 a.m., and the day shifts from
Two Coats of Paint Resident Artist Corrine Yonce, July 19–24, 2026
Contributed by Sharon Butler / In July, Two Coats of Paint welcomes Vermont artist and Visiting Assistant Professor of Studio Art at Middlebury
NYC Selected Gallery Guide, July 2026
Contributed by Sharon Butler/ July and August are the slowest months for NYC galleries. Many limit summer hours to weekdays, and close early on
Nancy Bowen: Language, the female body, traditional craft, and history
In connection with "Nancy Bowen: From A to Z and the Bodies In Between," her solo exhibition at NUNU Fine Art, Two Coats of Paint arranged a
Hannah Studnick: A practice of persistence
Contributed by Lucas Moran / In early March, when another gallery seemed to disappear every few days, I opened Instagram to find Hannah Studnick's

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