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Idyll and crisis at The Re Institute
Contributed by Lawre Stone / The Re Institute – a dairy barn built in the 1960s that Henry Klimowicz has repurposed as rustic art gallery – seems
Hudson Valley (+ Vicinity) Selected Gallery Guide, July 2026
Contributed by Karlyn Benson / This month I am looking forward to the opening of Putting it Together: Transforming Collage at 68 Prince Street
The Artist’s Soul: The Sorrows of Young Werther
Contributed by Laurie Fendrich / Two Coats of Paint Press recently published a limited edition of Johann Wolfgang von Goethe’s
David Fix, Jr.’s existential retrenchment
Contributed by Bill Arning / Comments at openings such as, “I just can’t look at another painting by a hot young artist showing off a dreamy life
Peter Acheson: The edge of composure
Contributed by David Whelan / Peter Acheson’s paintings and sculptures live on the edge of composure through seemingly dashed-off operations, loose
A visual paean to New York at A Space
Contributed by Mary Sargent / John Berger declared that every image embodies a way of seeing, and the way that images gathered in “Amongst Other
Molly Rose Lieberman’s resonant work
Contributed by Leslie Roberts / During a recent tour of downtown galleries, I saw several consecutive shows presenting tightly programmed bodies of
Art and the adolescent impulse
Contributed by Jonathan Stevenson / There’s a plausible argument that American culture is in a state of arrested development, ever bending back to
Kenneth Noland: Generative force and visual dynamism
Contributed by Alex Grimley / In the 1972 documentary Painters Painting, Kenneth Noland is asked by director Emile de Antonio, “What does ‘color
Harsh Collective: Forlorn eyes
Contributed by Will Maddoxx / “Thief of Joy,” Harsh Collective’s first show at its new location on the Lower East Side, brings together three

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