Contributed by Ellen Letcher and Julie Torres / We are huge Katherine Bradford fans, and when we told Two Coats of Paint editor Sharon Butler we were driving up to Maine to see her retrospective at the Portland Museum of Art, she invited us to share five things about the show, illustrated with photos. We aren’t writers, and at first this seemed like an easy way for us to organize our thoughts. Still, it proved too difficult because, flying between us, we had millions of complicated emotions. For an exhibition that feels so important, so timely, and so thoroughly moving, reducing the experience to just Five Things was daunting.
Contributed by Frank Webster / The High Arctic has always fascinated me. Since falling in love with Barry Lopez’s classic Arctic Dreams some two decades ago, I have dreamed of visiting the far north. So I was very excited to receive word that I had been accepted for the Arctic Circle expedition. A couple of pandemic postponements later, I finally was able to go on the voyage in June of 2022.
On March 31, 2022 Two Coats of Paint contributor Julia Kunin spoke with artist-reporters Violetta Oliinyk and Taras Polataiko to see how they were doing, and then she followed up on May 7. Due to unexpected technical issues at Two Coats of Paint, we have been unable to publish these interviews until today.
Contributed by Sharon Butler / Northern Vermont seems far away now, but in ten years it may be an entrenched artists enclave. And Johnson, thanks to still-affordable housing and the VSCs rich arts program, could be its center. Here’s a report from my visit a few weeks ago.
Contributed by Sharon Butler / When I saw Douglas Melinis new work at Miles McEnery (on view until October 16), I was surprised how much it had changed since I saw his pattern paintings In “YOU HAVE TO PEER INTO THE SKY TO SEE THE STARS,” a 2016 solo show at 11R. I reached out via email to ask him about the bold transition.
This excerpt is from a book Peter Dudek is writing about his years in academia, teaching art. Many of the conversations and stories came about in class, during faculty meetings, or over dinner & drinks with other artists who teach.
Contributed by Ken Buhler / Imagine the most elaborate, fanciful and bizarre fairy-tale like sand castle possible. Ferdinand Cheval’s masterpiece, Le Palais Idal, is teeming with, octopi, dragons, ostriches, flamingos, lions, elephants, deer, plants, gods, fairies, giants, and historical figures all interwoven with architectural forms whose references include Hindu, Buddhist, and Egyptian temples, Islamic mosques, and Swiss chalets.
Contributed by Paul DAgostino / Not long ago, an acquaintance on social media posted an image of a recent painting in one of those temporary-story-style series of images, and I reacted favorably, at first with emoji-tive enthusiasm, to that particular painting. I then got an unexpected response pretty quick-like: What do you see?
Contributed by Heather Bause Rubinstein / I left New York in January of 2020 and sublet my studio with plans to return in April. I repeat this pattern of coming and going every spring term to teach in Houston alongside my spouse, art critic and poet Raphael Rubinstein. As before, […]
New York-based painter Louise Belcourt recently returned from a quiet summer in the country, where she completed new work, which is on view through December 12 at the Locks Gallery in Philadelphia. The series comprises collages on paper made with painted gouache shapes, infusing the curvy hard-edge simplicity of Matisse […]