Contributed by Jason Andrew / That a work of art can mean something from generation to generation, that it can continue to reflect not only the time in which it was made but also make us think years later, is what makes it a masterwork. Seldom in the realm of dance, the most ephemeral of art forms, is a work appreciated across disciplines, its worth acknowledged by a broader audience than originally targeted. We are lucky that at any time we can wander into a museum and stand face-to-face with a masterpiece by Picasso, Matisse, or O’Keeffe. We can’t do this with dance. Perhaps as virtual technology continues to expand, we will be able to experience the great dances of our time as if breathing the same air of the performers. Until then, we must wait. It’s been sixteen years since I last saw In the Upper Room by Twyla Tharp.
CounterPointe: From white cube to black box
Contributed by Sharon Butler / CounterPointe, an inspired dance project organized by Jason Andrew and Julia Gleich of Norte Maar, unfurled last weekend at the Actors Fund Arts Center in downtown Brooklyn. In its fifth year, the project comprised a series of dances created collaboratively by female visual artists and choreographers. […]