Contributed by Margaret McCann / Louis Fratino’s paintings in “In bed and abroad” at Sikkema Jenkins depict varied social situations, from intimate scenes to foreign climes. Snapshots of memories, many from Italy, read like a travel diary. In Duomo, light seems to dissolve a church façade into a gossamer veil, like Monet’s series of Rouen. Milan’s iconic gothic cathedral is strikingly illuminated, as are most monuments in Italy at night. Silhouetted throngs of young people in front of it have gathered after their evening stroll to aid digestion, take in the sumptuous surroundings, and see what’s happening in the local piazza. This saunter or “passegiata” is also “a walk in the park,” and the painting’s mellifluous drama demonstrates Fratino’s impressive facility, as it captures the Italian relish of visual and other small pleasures, which Americans often mistake for sunny dispositions (see Fellini’s La Dolce Vita).
