Contributed by Margaret McCann / In Sasha Gordon’s “The Hands of Others” at Jeffrey Deitch and Maud Madsen’s “Daisy Chain” at Marianne Boesky, fleshy females are pressed on the picture planes as if between corporeality and social stress. All are self-portraits, but the figures read more as types performing hidden allegories.
Contributed by Jacob Patrick Brooks / Titled “PLEASE IT IS MAKING THEM THANKS:),” Louis Osmosis’s debut solo show at Kapp Kapp Gallery in Tribeca feels like a 1,000-piece puzzle that’s been dumped on a table. Everything fits together, but it’s not immediately clear how.
Contributed by Jonathan Stevenson / As the title “Blue Italian Skies Above” suggests, walking into the exhibition of Edith Schloss’s paintings now at Alexandre Gallery produces a kind of pastoral contentment. But don’t be fooled into thinking she was a shallow, acquiescent Pollyanna. Lurking in that casual lightness is a distinct quality of mortality and limitation.
Contributed by Barry Nemett / With squiggly marks and brilliant colors bringing the bucolic outdoors indoors, the exhibit Joan Mitchell is a sensual delight. What a treat to feel, smell, and hear the French countryside’s springtime breezes and see its glorious summer’s colors in Baltimore.
Contributed by Sharon Butler / Here is a selection of art articles and books I’ve been reading and pondering this week.
Invitation: Join Sharon Butler for a conversation with Pauline Decarmo at LABspace, in Hillsdale, Saturday, May 14, at 3 pm
On Saturday, May 14, at 3 pm, Two Coats of Paint founder and publisher Sharon Butler will discuss the work in Pauline Decarmo’s solo exhibition “Exit,” on view at LABspace through May 29. The event is free, outdoors, and open to the public. Visitors should bring a chair or blanket, […]
Contributed by Adam Simon / In the neighborhood of abstract painting, Maureen McQuillan’s backyard – reflected by works on view at McKenzie Fine Art until May 15 – features process-based or system-based painting. Loosely defined, this is painting for which the process of its making is its primary subject and the finished painting is understood as evidence of that process.
At the galleries this month, look for Eric Brown’s solo at Jennifer Baahng on the UES, Elana Herzog at Cathouse Proper in Carroll Gardens, MOD (the show I curated) at Platform Project Space in Dumbo, Scooter LaForge’s sculpture at Theodore in Tribeca, and “Jump Shot,” a charming group show in South Slope ( or is it Gowanus?) at Tappeto Volante, with Ben K. Voss, Marianne Gagnier, Calvin Burton, Maria Walker, Al Svoboda, Julie Torres, Christopher Peterson, and David Scanavino. In Bushwick, check out “Shelter,” a two person show with sculptures and works on paper by Helen O’Leary and Liliana Zavaleta at M. David & Co. through May 14. At Two Coats of Paint HQ we are hosting Afarin Rahmanifar — our first artist-in-residence since Covid arrived in 2020. Please join us for her open studio (55 Washington Street, #454) on May 5, 6 – 8pm. It’s Dumbo First Thursday, so galleries will be open late, too. –Sharon Butler
Contributed by Laurie Fendrich / While an artist friend and I were having dinner together after seeing the Whitney Biennial, she suddenly said” “Art is a cult.” For a second, I thought she was joking – I mean, art is truth and goodness, cults are lies and wickedness. Then I realized how much sense it made.
Welcome to Two Coats of Paint’s inaugural guide to Hudson Valley galleries. With the explosion of impressive exhibitions in the region, Two Coats plans to make the guide a regular feature…