Solo Shows

Solo Shows

Sister selves: Sasha Gordon and Maud Madsen

Contributed by Margaret McCann / In Sasha Gordon’s “The Hands of Others” at Jeffrey Deitch and Maud Madsen’s “Daisy Chain” at Marianne Boesky, fleshy females are pressed on the picture planes as if between corporeality and social stress. All are self-portraits, but the figures read more as types performing hidden allegories.

Solo Shows

Louis Osmosis’ gleeful despair

Contributed by Jacob Patrick Brooks / Titled “PLEASE IT IS MAKING THEM THANKS:),” Louis Osmosis’s debut solo show at Kapp Kapp Gallery in Tribeca feels like a 1,000-piece puzzle that’s been dumped on a table. Everything fits together, but it’s not immediately clear how.

Solo Shows

Edith Schloss’s deep cheer

Contributed by Jonathan Stevenson / As the title “Blue Italian Skies Above” suggests, walking into the exhibition of Edith Schloss’s paintings now at Alexandre Gallery produces a kind of pastoral contentment. But don’t be fooled into thinking she was a shallow, acquiescent Pollyanna. Lurking in that casual lightness is a distinct quality of mortality and limitation.

Solo Shows

Maureen McQuillan: Beauty in rigor

Contributed by Adam Simon / In the neighborhood of abstract painting, Maureen McQuillan’s backyard – reflected by works on view at McKenzie Fine Art until May 15 – features process-based or system-based painting. Loosely defined, this is painting for which the process of its making is its primary subject and the finished painting is understood as evidence of that process.

Solo Shows

Russell Maltz: Radical thrift

Contributed by Adam Simon / One of Russell Maltz’s singular achievements is to demonstrate how easily utilitarian objects and materials can be transported, Cinderella-like, into the alchemical realm of fine art. This is partly a property of the materials themselves: the symmetry, weightiness, and economy of products meant for construction. “Russell Maltz: Painted/Stacked/Site” on view at Minus Space in Dumbo, through July 30, with an additional nearby storefront installation and a slide show depicting found sites of construction material.

Solo Shows

Zach Seeger: All glory is fleeting

Contributed by Jonathan Stevenson / Not many good contemporary painters fully embrace sports. The subject is burdened by daunting precedent (George Bellows) and mild cliché (Leroy Neiman). But this century, as social media have enabled athletes to reveal and fans to probe the people behind and beyond the moves, sports have acquired greater social and political resonance, sending a stronger demand signal to artists.

Solo Shows

Claire Seidl: Unbounded in time

Contributed by Tom McGlynn / Claire Seidl’s contemplative works are closely aligned with the Abstract Expressionist/Existentialist ideal whereby the painter must be eminently present in order to access and transmit the sincerity of experience. Her paintings are not history bound, however, but rooted in the perennial quest for a very personal gesture unbounded.