Contributed by Leslie Wayne / I recently had the pleasure of visiting the artist Sally Gall in her midtown studio on a cold and snowy day – a perfect opportunity to get out of my own head and into the mind and process of someone else. Gall is a photographer of natural phenomena, yet her images are otherworldly and hard to identify. They include close-up undersides of laundry hanging from clotheslines on a windy day, faraway kites, and rock faces that look like Franz Kline paintings.
Tag: Franz Kline
George Morrison, Native American modernist
Contributed by Laurie Fendrich / Before going to see “The Magical City: George Morrison’s New York” at the Met, I did not know a Native American artist had been part of the Abstract Expressionist movement. The 35 works in this exhibition include paintings and drawings made during Morrison’s two stints in New York – the first in the late 1940s, when he was in his early twenties, the second in the mid-1950s – along with paintings from his 1980s Horizon Series. The best paintings come from the artist’s New York years, when he was committed to full abstraction.
Letter from Venice
Contributed by Michael Brennan / The 60th Venice Biennale runs through the fall. This storied, much imitated global event, like an Olympics or World’s Fair, consists of individual national pavilions and topical exhibitions. They occupy Venice’s Giardini and Arsenale. The Biennale generates numerous collateral exhibitions in palazzos, churches, and former warehouse spaces citywide. In addition to the officially sanctioned shows, there are a myriad unaffiliated exhibitions that try to pass themselves off as part of the Biennale by insinuation. It’s a lot to take in.




















