Solo Shows

Solo Shows

Anselm Keifer thinks big

Alan Riding looks at the artist chosen for the innaugural solo show at the Grand Palais in Paris. “Since moving to France in 1993, this German-born artist has turned his 50-acre property in Provence into a sprawling installation, with a former silk factory serving as his studio, and warehouses, greenhouses, […]

Solo Shows

The inscrutable Sigmar Polke

In today’s NYTimes, Carol Vogel visits Polke in his Cologne studio before he ships his paintings to the Venice Biennale. As is always the case with his work, Mr. Polke said, the paintings for the biennale sprang from specific ideas yet evolved in mystical ways as he experimented. “This is […]

Solo Shows

Roberta Smith looks at German paintings made with a wink and a sneer. “Painting may go in and out of fashion, but its many lifesaving graces always keep it afloat. One is its capacity for what might be called beautiful sarcasm, a sly self-parody while still looking good that is […]

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David Godbold’s mirthless mirth

Ben Davis dissects David Godbold’s snarky exhibition in artnet today. “Contemporary art is universally irreverent, but most often none too funny. This observation is particularly striking when one considers the fact that a lot of it, particularly that inspired by Big Daddy Marcel Duchamp, owes its very being to the […]

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Edward Hopper’s Feng Shui

Peter Schjeldahl reviews the Edward Hopper retrospective at the Boston Museum of Fine Arts.The scale of the paintings is indifferent, in the way of graphic art. Their drawing is graceless, their colors acrid, and their brushstrokes numb. Anti-Baroque, they are the same thing when looked at up close and when […]

Solo Shows

Michael Kimmelman NYT review of Myron Stout

Art Reveiw The canvas, Stout wrote, came not from any remembered form of flowers or flower beds but from a tree outside the door, a tree that the thin foliage of the lower reaches allowed the rising branches to be seen, rising, yet moving sideways, toward each other. His small, […]