Mario Naves says Bonnard (1867-1947) is an artist beloved by many, but not by all. “His luminous pictures of fruit baskets, breakfast tables and keening, […]
Month: February 2009
Thanks Birdie
Are you familiar with the art blog Dear Ada? I discovered it a few months ago over on Alla Prima’s blogroll, and immediately added it […]
“Not that the writer�s job was to write a lot, or to register the self with a splash, but to get his or her real experience down”
In the New Yorker Adam Gopnik’s piece about John Updike reminds me how much painting and writing have in common. “John Updike was a fine […]
Joan Banach: GeoAb with a shot of vulgarity please
When Tom Micchelli stopped by Small A Projects, he was puzzled by Joan Banach’s dark, virtually monochromatic hard-edged abstractions that looked like they belonged in […]
Thanks, Hank Hoffman, for writing about my project in Hartford
Hank Hoffman at Connecticut Art Scene reviewed “Lost and Found,” a show at the Connecticut Commission for Culture that includes my recent project “The Search […]
Phelan: “Its like fuss fuss fuss fuss fuss and then swish”
On the occasion of her recent exhibit “Ellen Phelan Still Life” at Texas Gallery, which was on view from December 11, 2008 to January 24, […]
Hofmann’s push-pull at the Rose
This winter the Rose Art Museum presents work that painting guru Hans Hofmann created for architect Josep Sert�s Chimbote Project in Peru. Created for a […]
Pocket Utopia Salon report: Moving beyond ObamArt
After suffering through eight years of dangerously misguided Bush administration policies, we all heaved a sigh of relief when Barack Obama was sworn in as […]
CoBrA: The filter of nostalgia ultimately defangs the beast
In ArtForum Karen Kurczynski reviews three recent sixtieth-anniversary exhibitions dedicated to CoBrA, at the Mus�es Royaux des Beaux-Arts de Belgique in Brussels (where the new […]
John Wood: Making small, busy abstract paintings seem big
In the San Francisco Chronicle Kenneth Baker reports that Bay Area painter John Wood has the rare knack of making small, busy abstract paintings seem […]
