Contributed by Peter Malone / Elizabeth Schwaiger’s paintings, recently shown in “Now & Now & Now” at Nicola Vassell Gallery, are inventive and visually compelling. Her confident brush handling is on full display across 30-plus panels that serve up disorderly interiors, some suggesting artists’ studios. One is apparently based on Picasso’s mid-century studio in Cannes, one of the most photographed art studios in history. Despite its internet-snatched-reversed-horizontal-copyright dodge, which flipped an art nouveau element with a nearby archway, Ward for Abiding Hubris confessed its source. This prompted me to make a mental wager as to whether the art studio meme or the namedropping aside would prove dominant. Fortunately, the former prevailed, and then broadened to other interesting aesthetic matters.
Tag: Peter Malone
Dana Schutz: Too big to fail?
Contributed by Peter Malone / The airplane-hangar dimensions of the top-tier commercial art gallery can be justified by the flexibility they offer both dealer and artist. In 2017, I watched David Zwirner adapt his Chelsea location on 19th Street to accommodate Alice Neel’s modestly sized portraits, then open it up to create the parking lot rug sale vibe that suited Josh Smith’s 2019 “Emo Jungle” bazaar. Those two events occupied my thoughts as I walked through the grandiose layout of Dana Schutz’s recent “Jupiter’s Lottery” exhibition.
Siobhan McBride’s canny intimacy
Contributed by Peter Malone / “Long story short” could describe many an art review, but here it is also the name of one of a growing number of pocket galleries along the section of Henry Street beneath the Manhattan Bridge. Long Story Short NYC recently hosted an exhibition of a dozen of Siobhan McBride’s small but compelling paintings, titled “Always Means Never Not” and curated by Stavroula Coulianidis.
Adroit realizations and obdurate miscues at Meredith Rosen
Combining the roles of curator and participating artist, Zak Kitnick, in collaboration with gallery director Meredith Rosen swept an engaging mix of genres into a pair of compact exhibition rooms matching their choices to an installation plan that emphasizes each pieces distance from the floor relevant to the human body.











