Contributed by Lore Heller / “MILK TEETH,” the title of Kate Hargrave’s show at Karma, implies both permanent loss and permanent gain. One gains milk teeth as a baby and loses them as adult teeth take their place. If children place them under their pillows, fairies might bring rewards. Losing milk teeth is losing childhood, developing permanent teeth coming of age – reminders to parents that time inexorably arcs life. Joni Mitchell observed that “we’re captive on the carousel of time,” and my grandmother’s lullaby, “toyland, toyland, beautiful boy and girl land,” reminds us that “once you cross its borders you may never return again.” Hargrave, who painted this work as she raised two children, captures this pervasively bittersweet quality.
Tag: Goya
Wifredo Lam’s global reach
Contributed by Margaret McCann / “When I Don’t Sleep I Dream” at the Museum of Modern Art traces the odyssey of Afro-Asian Cuban painter Wilfredo Lam (1902–1982). His 20th-century oeuvre encompasses a prescient global combination of influences. Youthful talent afforded him portraiture study in Spain, where he remained for 15 years. But, like Goya, inclination and events pushed his art past appearances.
Michelle Jaffe’s multi-sensory encounters
Contributed by Susan Silas / Sculptor and inter-media installation artist Michelle Jaffe creates time-based experiential works at the intersection of sculpture, sound, video, and performance. Sound has been the connective tissue of her work since 2003. Susan Silas is a visual artist working in video, sculpture, and post-photographic media. Her primary subject for the past 30 years has been embodiment. From that perspective, she talked with Jaffe about her video-and-sound installation GRIFTER’s Gambit.
Kimmelman’s in Spain
Wouldn’t we all love to have Michael Kimmelman’s job? Today he reports from Madrid on The Prado’s exhibition, Goya in Times of War. Not only […]






















