Contributed by Jonathan Stevenson / For over twenty years, Matthew Miller rendered arduously meticulous yet mysteriously otherworldly portraits, mainly of himself as subject and almost always against a maximally opaque black background betraying no brushstrokes, evidently free of human imperfection.
Search Results for "label/Museum of Modern Art"
LA PST Report: Toward better social behavior
Contributed by Peter Plagens / The first edition of the Getty-sponsored “Pacific Standard Time” slate of exhibitions in 2011 was subtitled simply “Art in L.A., 1945 – 1980,” and it aimed to elucidate Southern California’s contribution to American postwar modern art. In 2017, the second iteration was called “LA/LA,” indicating the city’s Latin American art and artists. This time around PST has declared a more specific theme, “Art and Science Collide,” reminiscent of one of those noble Rose Parade rubrics…
Armin Kunz: Presentism and art history
Contributed by Armin Kunz / �Can we ever look at Titian�s paintings the same way again?� asked Holland Cotter when he reviewed the reunion of […]
Surface, flourish, complexity at the Hessel Museum
Contributed by Anne Swartz / Since its origins in the 1970s, practitioners and advocators of the Pattern and Decoration movement have countered claims that decorative art lacked seriousness. In America at the time, critical arguments focused on the exhaustion of painting, positioning it as an outmoded visual form. Several artists resisted this affront. Instead, they embraced images for their pleasure, opposing the notion of immediacy often considered synonymous with other mediums such as photography.
Cezanne’s pursuit
If theres one word that sums up Paul Czanne (1839-1906), the subject of this massive MoMA exhibition, its struggle.
The stories we choose to tell: “Fall Reveal” at MoMA
Contributed by Laurie Fendrich / The Museum of Modern Art�s �Fall Reveal� marks the second phase of the museum�s re-telling of the story of Modern […]
Catalogue essay: Abstract Art Does Not Stop an Hour
Contributed by Laurie Fendrich / The works in Uncharted: American Abstraction in the Information Age are, for all their reliance on what we call “technology,” […]
Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting
The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, […]
Vija Celmins: To fix the image in memory
Contributed by Laurie Fendrich / Anyone walking out of the Vija Celmins retrospective that opened last week at SFMoMA thinking how good she is at […]
Carter Ratcliff: Art in the age of Trump
Contributed by Carter Ratcliff / Let�s begin with a painting�not sure it�s a work of art�that could have been painted only now, during Trump�s presidency. This […]
Stuart Davis: The last painting
Stuart Davis, whose uneven but exhilarating retrospective is on view at the Whitney through September 25, is known for his playful fusion of advertising typography, […]
Web world: The New Museum’s 2015 Triennial
Entering the New Museum’s 2015 Triennial “Surround Audience” is like stepping into someone else�s search history. If you�re passionate about the same information that he […]
Recto or Verso: What kind of artist are you?
Barnett Newman, Two Edges, 1948, oil on canvas, 48 x 36 inches. Museum of Modern Art, gift of Annalee Newman (by exchange). Barnett Newman Foundation […]
Frieze: Unprimed immediacy
Since the early days of Color Field painting, working on unprimed canvas or linen has given the impression of a certain unfinished immediacy–more like the […]
Helen Frankenthaler: More profound than lyric
After seeing the exhibition at Gagosian, I’ve become a huge Helen Frankenthaler fan. Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture […]







































