Sure December means a trip to Miami for a certain segment of the art world, but December also means it’s time for the amazing Degenerate […]
Latest articles
Umarmung or marsha’s two ways: Joan Waltemath @ Pulse
Contributed by Sharon Butler / If you’re in Miami, check out Joan Waltemath’s paintings at Elizabeth Leach’s booth in Pulse. Readers might remember that Waltemath […]
Quote of the day: Vintage Eric Fischl
“Every day there�s the technical side of the discipline and there are good days and then bad days where the painting is giving me resistance […]
Post-apocalyptic aesthetic: Q&A with Matthew William Robinson
JOE BUN KEO: In your work, complexes and structures break down and deconstruct. You speak of the post-industrial, instability and man’s imposition on the natural […]
Big thanks to our November sponsors!
We would like to take a brief moment to thank this month�s sponsors. These are the organizations and companies that keep us publishing, so be sure to […]
Joshua Neustein: Control freak
Joshua Neustein (b. 1940), who showed his first deconstructed painting, Shear Stress, at Mary Boone Gallery in 1978, is having his first NYC solo in […]
Erik den Breejen: Text and music
I just got a note from Erik den Breejen, who has a solo booth with DNA gallery at the Untitled Fair in Miami. He included a link […]
EMAIL: Art Basel Miami Beach edition
Artist Tony Fitzpatrick, whose work will be on view in the Pierogi section at SEVEN, wins the prize for the most amusing Miami press release. […]
House party: Q&A with Derrick Quevedo
JOE BUN KEO: Color is an unspoken language, and your work reflects that you�re fluent in it. Can you compare the power of color and […]
Analia Sabon: Slight traumas
In the November issue of ArtForum, Charles Marshall Schultz reviews “Gag,” LA artist Analia Saban’s first New York solo show, which was at Tanya Bonakdar […]
Quick study: Forgotten, lost, missed, and sincere
At Bomblog George Negroponte writes about William Baziotes, an AbEx painter whose work, although included in most major museum collections in his lifetime, is not […]
Walk through: Rosemarie Trockel at New Museum
Thanks to artist Brece Honeycutt, who visited the Rosemarie Trockel show at the New Museum earlier this month and has shared the following report. —- […]
We never know what we don’t know: Q&A with Joyce Conlon
JOE BUN KEO: Your work is about accumulation and peeling away, the creation of a visual trail. I love the reference to palimpsest. It�s archival. […]
Humor vs. irony
Blogging at the NYTimes last week, Princeton French prof Christy Wampole, assailing the hipster mentality, suggested that our culture needs to move beyond irony. Moving […]
” A painting is worth looking at when I feel an intense curiosity about every decision that has gone into its making.”
At The Silo Raphael Rubinstein writes about Shirley Jaffe’s paintings. “While so many contemporary works of art seem to develop through closing off choices or […]
