Edith Newhall reviews of the show in The Philadelphia Inquirer: “In the lush Philadelphia summer, with vivid color running rampant, ink on paper can look […]
Hacked
Fadia Haddad retrospective: fluttering between the chaos of life and death
Farah Aridi writes in The Daily Star: “Amid the mayhem of Lebanon’s current crisis combo of security concern, political deadlock, institutional meltdown and existential dread, […]
Neil Jenney resurfaces at The Aldrich Contemporary Art Museum
In the NYTimes, Grace Glueck reports: “Whoa! Could this be the work of Neil Jenney, a star of the 1970s Neo-Expressionist movement, who first intrigued […]
Clive Owen and George Clooney in forgers’ tale
Vanessa Thorpe reports in The Observer: “The extraordinary story of how British forgers John Myatt and John Drewe joined together to con art experts and […]
Jeff Koons on feeling good
In Graeme Green’s sixty second Metro interview with Jeff Koons, Koons declares “I like to make people feel good about themselves and connected with themselves, […]
SAM slam
Lee Rosenbaum Lee Rosenbaum reports today in the Wall Street Journal: “Most museums expand to make room for their existing permanent collections. The Seattle Art […]
“Lines, Grids, Stains, Words” at MOMA
Sarah Schmerler in The Village Voice: “This smart little offering of Minimalist drawings is curated by Christian Rattemeyer (late of Artists Space). He’s scarcely been […]
Critics weigh in on Stella Vine’s show at Modern Art Oxford
In the Telegraph, Richard Dorment reports a change of heart about Stella Vine’s paintings: “Imagine my amazement to discover that there is something to Vine’s […]
At Boston’s Allston Skirt Gallery: a small, dark, and stinky slice of the art-world pie
In The Phoenix Sharon Steel writes about “Pull My Finger,� a new group show at the Allston Skirt Gallery, curated by artist Joe Zane: �Artists? […]
Paintings in the National Gallery: national heritage, art-historical legacy or status symbols?
Chris Bryant reports in The Times: �The news that seven major artworks on loan to the National Gallery, London, might be sold and may leave […]
Georges de La Tour�s long forgotten nocturnes exhibited in UK
Laura Cumming in The Guardian: �It scarcely seems possible that there could be any old masters left to rediscover, yet so it is with the […]
At the Boston MFA artists grapple with war
Ken Johnson writes in The Boston Globe: �As the war in Iraq grinds on toward no very clear end, collective reaction to it by contemporary […]
At the Hammer Museum, Gary Garrels assembles a distinctly Angeleno strain of contemporary visual language
Doug Harvey in the LA Weekly: �One of the most pronounced symptoms of the wide-scale institutionalization of artistic practice has been the rise of curatorial […]
Churches draw on the spiritual inspiration of contemporary artists
Valerie Gladstone points out in the NYTimes Travel section: “As a wave of contemporary art installations is being unveiled in cathedrals, churches and chapels across […]
Karen Kilimnik’s Philadelphia salon
Dorothy Spears in the NYTimes: “When Robert Wuilfe, curator of Landmarks Contemporary Projects in Philadelphia, learned of Karen Kilimnik’s interest in creating a site-specific installation […]
