Contributed by Jonathan Goodman / Caroline Kent, a painter based in Chicago, is having her first show at Casey Kaplan. She makes schematic abstract paintings, which have aspects of doubled, mirror-like imagery. An underlying fiction of her art is the presence of twins, Victoria and Veronica, who speak to each other and to the painter�s audience via the works she creates. Kent�s sign-like abstraction involves a set of symbols whose meaning depends not on any explicitly prescribed content but rather on their visual orientation in terms of form and placement.
Author: Editor
The new theatrical space of Amy Lincoln
Contributed by Jason Andrew / Amy Lincoln�s soaring trajectory has locked in the natural world, the phenomena within it, and the epic world of myth. Ten new paintings now on view at Sperone Westwater embrace these pervasive elements while exploring a bold new theatrical space.
Fiction: The Real, the Fake, and the Ugly [Laurie Fendrich]
Contributed by Laurie Fendrich / What a mess. And today was doomsday. Eliza Netsua couldn’t get back to sleep, so she dragged herself out of bed at five a.m. Her loft, long ago a sewing sweatshop renovated only insofar as the splintery floors had been sanded and the walls slapped with multiple coats of white paint, was already hot and stuffy. A full-on August heat wave in New York. The gallery was closed for the month and, moreover, it was Monday, a day even she, the assistant director, wouldn’t ordinarily be working….
Two Coats Selected Gallery Guide: September 2021
Welcome to the Two Coats of Paint painting-centric guide to gallery exhibitions in New York City. There’s a lot to see this month. We’re in the thick of hurricane season, with Tropical Storms Kate and Larry currently brewing over the Atlantic, so let’s hope inclement weather doesn’t get in the way.
The postman’s palace in hauterives
Contributed by Ken Buhler / Imagine the most elaborate, fanciful and bizarre fairy-tale like sand castle possible. Ferdinand Cheval’s masterpiece, Le Palais Idal, is teeming with, octopi, dragons, ostriches, flamingos, lions, elephants, deer, plants, gods, fairies, giants, and historical figures all interwoven with architectural forms whose references include Hindu, Buddhist, and Egyptian temples, Islamic mosques, and Swiss chalets.
About an image, without an image: Reflections on looking at a painting
Contributed by Paul DAgostino / Not long ago, an acquaintance on social media posted an image of a recent painting in one of those temporary-story-style series of images, and I reacted favorably, at first with emoji-tive enthusiasm, to that particular painting. I then got an unexpected response pretty quick-like: What do you see?
Thinking beyond New York City
Contributed by Sharon Butler / During a quick tour of Vermont, I discovered Benjamin Ward’s new gallery Stella Quarta Decima, or SQD, on Main Street in Manchester. The gallery will feature artists, primarily from Vermont, who work outside the confines of the commercial art market.
The upstate line
Contributed by Laurie Fendrich / The Subject is The Line at the Thompson Giroux Gallery in Chatham, New York, is a handsome, beautifully installed exhibition of the work of fourteen established artists.
A good long look, at Spencer Brownstone
Contributed by Jacob Patrick Brooks / As you walk into Honoring the Dog-Legging Horizon at Spencer Brownstone Gallery, something feels off. The sense is vague at first, but it becomes clearer as you alternate between hunching in close or backing up more than usual. The show is hung low, by about a foot, to encourage sitting down, and the work is well worth taking in fully.
Pam Glick’s code theory
Contributed by Jason Andrew / Artists often have generative strategies for jumpstarting a work. The AbExers had their automatism and the minimalists had their procedural arrangements. For her new paintings, on display at The Journal Gallery in their rotating Tennis Elbow series, Pam Glick seems to embrace both the automatic and the procedural.
Art and TV: A misanthrope’s moment
Contributed by Jonathan Stevenson / If the Cold War suppressed heroism to the point where anti-heroes came to rule culture, the post-Cold War era may have engendered such disappointment in humankind as to elevate the thoughtful misanthrope to icon.
Studio visit with Marcy Rosenblat
Contributed by Sharon Butler / I stopped by Marcy Rosenblat’s Fort Greene studio to see her new paintings, which have become richer and more compositionally complex.
Les Gommes: Becky Brown and Annette Cords at PS122
Contributed by Axel Bishop / In a collaboratively constructed two-person exhibit at PS122, Brown and Cords experiment with the interplay of image-experience vs. knowing through written language.
Andrew Cranston’s dazzling seduction
Contributed by Jacob Patrick Brooks / I try not to go to galleries alone. If I dont have someone to moderate me and make sure that I spend an appropriate amount of time viewing work, I can speed through without sufficiently absorbing it, to my own detriment. Yet, even on my own, I was immediately captivated by Andrew Cranstons deceptively quiet, soft paintings in his current show Waiting for the Bell at Karma.
Alyssa Klauer’s queer phantasmagoria
Contributed by Patrick Neal / Is the detectable hand of the artist evidence of a unique creator, or is gesture mainly indicative of earlier painters touches, the ghosts of art history? More broadly, do we choose the course of our own lives or are they predestined? These thoughts about individual sensibility and personal agency occurred to me while viewing Alyssa Klauers fine, visually and intellectually energized solo show Dare Me, on view at Olympia on the Lower East Side.
Hannah Wohls: Colorful dissection of the new york art world
To understand how all the moving parts or art careers fit together, sociologist Hannah Wohl spent countless hours trailing collectors at art fairs, talking to dealers, making studio visits with artists at all professional stages, and analyzing hundreds of art reviews.
The inside creates the outside, and vice versa
A conversation between artists Robin Hill and Elisa DArrigo, whose solo show at Elizabeth Harris is on view through July 31.
Art and Books: Kate Russo, Balzac, and the uncertainties of art
All three tales in Super Host are witty, moving, and beautifully written, but its Emma Eastons that raises the most provocative questions about the often torturous relationship between an artist and her work
Adroit realizations and obdurate miscues at Meredith Rosen
Combining the roles of curator and participating artist, Zak Kitnick, in collaboration with gallery director Meredith Rosen swept an engaging mix of genres into a pair of compact exhibition rooms matching their choices to an installation plan that emphasizes each pieces distance from the floor relevant to the human body.
Matthew Wong: Fearless to the end
Despite Matthew Wong’s relatively banal subject matter essentially, nature the way it is handled in the exhibition on view at Cheim and Read elevates the art and makes it enthralling, like secrets gently whispered.












































