Contributed by Sharon Butler / I stopped by James Cohan on Grand Street to see Michelle Grabners beautiful show of small-scale paintings and panel pieces, sized […]
Author: Editor
Adam Henry: Full spectrum
Contributed by Adam Simon / It has been argued that there is no such thing as an abstract painting anymore, only pictures of abstract paintings. […]
Powhida on Biden: A man for this season
Contributed by Jonathan Stevenson / The art that accompanies magazine articles usually seems decorative and functional, there merely to cheer up black-and-white text and interrupt […]
Jack Tworkov: Laying down line
Contributed by Sharon Butler / In the 1960s, Jack Tworkov began to feel as if he had taken Ab-Ex gestural abstraction as far as it […]
David Byrd’s palpable tenderness
Contributed by Craig Taylor / The late David Byrds affecting show, on view at Anton Kern Gallery, revolves around what he called his magnum opus: […]
Andrew Zarou’s particular beat
Contributed by Ben Pritchard / Andrew Zarous compelling exhibition at The Painting Center is resonant of the comprehensive order that one might covet in a […]
Martin Kline: Tempered by discipline
Contributed by Sharon Butler / Martin Klines meticulous and thoughtful abstractions, on view at Heather Gaudio Fine Art, are deceptively simple. At first glance, they […]
Medrie MacPhee, David Humphrey, and the power of recognition
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the problem with figurative art was that it vanishes into recognition. By 1960, […]
Stanley Rosen: Slabs and coils, scallops and disks
Contributed by Rachel Youens / Stanley Rosen came of age as a sculptor during the 1960s and 1970s, when ceramicists and sculptors were challenging the […]
The “whorish porous” in the work of Angela Dufresne
Contributed by Andrew Woolbright / Angela Dufresnes dual shows at Yossi Milo Gallery and M+B Los Angeles provide an opportunity to assess the full breadth […]
Mira Schor: Insistently personal
Contributed by Sharon Butler / Mira Schors galvanizingly insistent new paintings continue her exploration of self and the disembodied mind. Many painters traffic in purposeful […]
Nihilism and the unconscious: Ken Weathersby at Minus Space
Contributed by Sharon Butler / In “Dream Paintings,” Ken Weathersby’s solo show at Minus Space, the surfaces of his tidy geometric abstractions feature carefully crafted, […]
Invitation: Sharon Butler and “Morning in America”
Contributed by Sharon Butler / Please join me for “Morning in America,” an exhibition of new paintings at Theodore:Art that opens on January 15, 2021. […]
By Laurie Fendrich / Critics have been lavish in their praise of the Brown, queer-themed figurative paintings by the Pakistani-born Brooklyn artist Salman Toor, currently […]
Art and Film: A subdued Top Ten in 2020
Contributed by Jonathan Stevenson / By the most salient political parameters governance, public health, the rule of law 2020 was one of the worst years […]
Contributed by Paul Laster / Creating playful paintings with psychological twists, Clayton Schiff makes his 56 Henry exhibition debut with the solo show Small World, […]
Art and Film: Men of wealth and taste
Contributed by Jonathan Stevenson / Charles Willeford — Guthrie-esque hobo, World War II hero, pulp-fiction genius — was one of the best crime writers of his generation, influential yet under-appreciated. Among his many books, Cockfighter became a cult-classic film starring Warren Oates, Miami Blues a quirky eighties jaunt with Alec Baldwin, Jennifer Jason Leigh, and Fred Ward. His slender memoir, I Was Looking for a Street, wistfully encapsulated both the promise and the strange loneliness of mid-century America, much as Raymond Chandler and Ross Macdonald did in their detective fiction. The Pick-Up was a brutal, uniquely incisive parable about race in America. Thirty-two years after his death and almost 50 years after its initial publication, The Burnt Orange Heresy — arguably his best novel — has made it to the screen, courtesy of director Giuseppe Capotondi and screenwriter Scott Smith, who prove its timelessness.
Primordial ooze and concrete assertions: A conversation between Michael Berryhill, Daniel Dove, and Sangram Majumdar
Daniel Dove and Michael Berryhill have been friends forever it seems, or at least since their time as students at UT Austin. In 2009, Michael […]
Josephine Halvorson’s communion with nature
Contributed by Kari Adelaide Razdow / Now on view as part of the deCordova Museum’s “Visionary New England” exhibition, Josephine Halvorson‘s lyrical yet meticulous oil […]
Sylvia Naimark: The enigmatic realm of the imperceptible
Contributed by Paul Laster / A painter of poetic pictures, Sylvia Naimark explores the enigmatic realm of the imperceptible in her otherworldly works on canvas […]










































