Rebecca Morgan: Country girl

After earning an MFA at Pratt, unlike many new grads who set up studios in Brooklyn, Rebecca Morgan returned to central Pennsylvania to paint. Back in Appalachia, where drawing skill and porcelaine figurines are especially cherished, Morgan has incorporated these forms into resonant paintings that can hold their own both for a sophisticated New York art audience and for the less privileged patrons of, say, an Appalachian coffee shop.

[Image: Rebecca Morgan, Depression Blanket, 2014, oil and graphite on panel, 28 x 22 inches.]

 Rebecca Morgan, Mountain Man, 2014, oil and graphite on panel, 22 x 20 inches.

Though a native of Pennsylvania, Morgan maintains the critical distance she learned in art school, crafting sly self-portraits and depicting mountain men, stoners, and other backwoods stereotypes with knowing humor, compassion, and imagination.

In her second exhibition at Asya Geisberg, up through March 29th, Morgan is less in thrall to the snide grotesquery of Hairy-Who-ish or R. Crumb that infused her previous show, as she introduces a series of ceramic bottles adorned with cartoon faces that reference old moonshine jugs, as well as small hex signs traditionally painted on barns to ward off evil spirits. Morgan decries the new addictions in rural America–meth, junk food, pop culture–but clearly feels more at home there than in New York. This exhibition winningly demonstrates that at least some artists who return to their hometowns after studying in New York might find more original and compelling content than they would if they simply followed the herd and set up studios in Bushwick.

Bonus tip: Follow Morgan on Instagram here.

 Rebecca Morgan, installation view.

Rebecca Morgan, Odalisque, 2014, graphite on paper, 65 x 94 inches.

 Rebecca Morgan, Hummel Hobo Bumpkin, 2014, oil and graphite on panel, 14 x 12 inches.

Rebecca Morgan: No Church in the Wild,” Asya Geisberg, Chelsea, New York, NY. Through March 29, 2014.

Related posts:
Quote of the day: Rebecca Morgan
Heads and tails: The figure @ Volta 


Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. For permission to use content beyond the scope of this license, permission is required.

One Comment

  1. These paintings are amazing! Rebecca Morgan has really outdone herself in depicting stereotypes such that it does not offend the viewer.I was specifically struck by Mountain Man which seems depicts a "stoner" laughing his way to a nature state. His facial expression is very unique and it makes me feels as someone had taken a photograph of this individual with a flash and the individual has been overwhelmed by it. Her work amazes me! I was also really really drawn to Odalisque where I think that she is making a statement about body size and our quickly growing fast food habits.

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