UConn’s MFA Studio Art program is a fully funded three-year graduate program which supports a broad range of art making including painting/drawing, photography/video, printmaking, and sculpture/ceramics with an international faculty and superior and generous facilities in a rural environment centrally located in Southern New England for easy day trips to New York, Boston, Providence, Hartford, and New Haven. The program culminates with an exhibition in a NYC gallery. and a thesis exhibition in UConn’s William Benton Museum of Art. The deadline for submitting the application is January 15, 2024.
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In ArtBank7’s first group show, “No Stranger Among Us,” the artists group celebrates the profound power of community. Using a variety of artistic mediums, six artists tell their unique stories in a collective spirit. They interweave personal narratives with universal truths, often giving voice to the marginalized or amplifying stories that have been overlooked or silenced. The exhibition aims to serve as a springboard for further conversation that dismantles the barriers that can divide us and advances wider empathy.
As the Yellow Chair Salon starts its fourth year, we are excited to introduce Symposia!, a six-month intensive virtual program created for artists with an advanced studio practice. It is a rare opportunity to work with some of the leading artists, educators, gallerists, and critics in contemporary art.
Contributed by Patrick Neal / Open Studio events always take place on weekends throughout artist enclaves in the city, and this past weekend it was DUMBO’s turn. This year, DUMBO Open Studios included a slew of events — 140 open studios, pop-up shows in studios and conference rooms, installations in storefront windows and on sidewalks, self-guided and docent-led tours, and artists selling their wares on the street. Art in Dumbo’s website offered several helpful maps and interactive tools to assist in planning a weekend of studio hopping, and they will continue to be a useful resource for the art community. A special feature this year was Curated Guides, specializing in specific areas of interest like drawing, mixed media, sculpture, and non-objective art. Exhibitions in commercial, non-profit, and residency program galleries were abundant, as were opportunities to talk to artists in their studios and see work in progress.
Contributed by Kathy Imlay / Heather Stivison’s paintings in “Seeds of Change: Paintings of Climate Change and Hope”, imply unseen possibilities for restoring the natural balance of our planet. In her first New York solo exhibition—on view at Pleiades Gallery in Chelsea through April 15, also and as an online exclusive with Imlay Gallery — Stivison explores the notion of seeds from both literal and metaphorical perspectives. She sees potential for change hidden within us as seeds buried in the ground, both filled with untapped promise.
Kahori Kamiya’s New York debut solo exhibition “Long Eclipse” at Amos Eno Gallery in Brooklyn is a powerful and personal exploration of her Japanese cultural identity and experience of womanhood. Through her works, Kamiya delves into her own existential and spiritual contemplations, reflecting on acutely personal experiences such as breastfeeding her baby, facing racial discrimination during the pandemic, and grieving the loss of her mentor.
Renée Khatami, whose recent work is on view in “Behind the Pale,” a solo show at Prince Street Gallery, has developed an intensely methodical art-making process and produced a luminous body of work that seems to transcend the frustrations and anxieties of contemporary life.
Contributed by Sharon Butler / On Saturday, April 23, and Sunday, April 24, from 12–6pm, DUMBO artists and arts organizations will open their studios to the public for the first time since 2019, after which DUMBO Open Studios went online due to Covid. The art community here (Two Coats HQ is in the neighborhood) is distinct from others in New York because several prestigious residency programs call DUMBO home. In addition, subsidized rents (Two Coats is a grateful beneficiary of the Two Trees Cultural Space Subsidy Program) make the neighborhood affordable for a diverse cohort of talented artists, both emerging and mid-career. Regardless of the artists’ stature or status, most studios will be open.
On a sunny Sag Harbor afternoon Peninah Petruck stopped by the Mark Borghi Gallery to talk to Arlene Slavin before the opening of her show “In Sequence 1970-2022,” which is on view through April 28.
Contributed by Sharon Butler / Martin Klines meticulous and thoughtful abstractions, on view at Heather Gaudio Fine Art, are deceptively simple. At first glance, they might appear merely technically accomplished and visually striking. Drill down a little, though, and they recall the action of Jackson Pollocks drip paintings and the […]