“Devotees of painting will be on a near-starvation diet, with the work of only Joe Bradley, Mary Heilmann, Karen Kilimnik, Olivier Mosset and (maybe) Cheyney […]
Tag: The New Yorker
Schjeldahl on Lucas Cranach the Elder
“Lucas Cranach the Elder,” St�del Museum, Frankfurt, Germany. Through Feb. 17. Slide show. As an antidote to all the reports on contemporary art and the […]
Schjeldahl visits Frida
“Frida Kahlo,” curated by Hayden Herrera and Elizabeth Carpenter. Walker Art Center, Minneapolis, MN. Through Jan. 20. Scheduled tour: Philadelphia Museum of Art, Philadelphia, PA, […]
IMHO: Arts and Minds
In the October issue of The American Prospect, you can find my essay on the new State Department/ American Association of Museums collaboration. “The United […]
Rembrandt and pals stir unlikely controversy in Gotham
The Age of Rembrandt: Dutch Painting in the Metropolitan Museum of Art, organized by Walter Liedtke, Curator in the Metropolitan Museum’s Department of European Paintings. […]
Simon Schama on J.M.W. Turner
“J.M.W. Turner,”National Gallery of Art, Washington, DC. Oct. 1-Jan. 6, 2008. See images of Turner paintings from the National Gallery’s collection. In the upcomng New […]
The art of restitution
Ernst Ludwig Kirchner’s “Berlin Street Scene” (1913�14), on view at Neue Galerie, New York, NY. Through September 17. In the Village Voice, Morgan Falconer reports: […]
Making It New (again): The Art and Style of Sara & Gerald Murphy
“Making It New: The Art and Style of Sara & Gerald Murphy,” curated by Deborah Rothschild. Williams College Museum of Art, Williamstown, Massachusetts. Through Nov. […]
Venice Biennale: serious and smart
Kim Levin in The Brooklyn Rail: “So many skulls, tibia, ribcages, soldiers in uniform, mortally wounded dolls, and flocks of birds morphing into missiles or […]
Neo Rauch at the Met
Roberta Smith in the NYTimes: “Mr. Rauch�s dreams may be unlike any dreamed before, but they have not enabled him, as yet, to develop an […]
Edward Hopper’s Feng Shui
Peter Schjeldahl reviews the Edward Hopper retrospective at the Boston Museum of Fine Arts.The scale of the paintings is indifferent, in the way of graphic […]
