Contributed by Elizabeth Hazan / During the night of election-related insomnia, I was thinking about how we find meaning in this crazy world and that reading personal histories can be life-affirming in a time of chaos. One of the delights of Mary Gabriel’s Ninth Street Women was learning how all these artists who were fixtures in the art world when I was a child came to New York to start making art in the first place. For a number of years, I shared a studio with the artist Trevor Winkfield. While he has done some long-form interviews, I think his lively storytelling deserves fresh attention.