Author: Sharon Butler

Conversation

A conversation with Pauline Decarmo

On Saturday, May 14, at 3 pm, Two Coats of Paint founder and publisher Sharon Butler will discuss the work in Pauline Decarmo’s solo exhibition “Exit,” on view at LABspace through May 29. The event is free, outdoors, and open to the public. Visitors should bring a chair or blanket, […]

Museum Exhibitions

The Whitney Biennial: On the heels of trauma

Contributed by Laurie Fendrich / While an artist friend and I were having dinner together after seeing the Whitney Biennial, she suddenly said” “Art is a cult.” For a second, I thought she was joking – I mean, art is truth and goodness, cults are lies and wickedness. Then I realized how much sense it made.

Residencies

Two Coats Resident Artist: Afarin Rahmanifar

Contributed by Sharon Butler / From May 4 -10, after a two-year Covid hiatus, the small Two Coats of Paint Residency Program returns with Iranian American artist Afarin Rahmanifar. Born in Tehran and based in Connecticut, Afarin explores the points where Eastern and Western culture intersect.

Solo Shows

Russell Maltz: Radical thrift

Contributed by Adam Simon / One of Russell Maltz’s singular achievements is to demonstrate how easily utilitarian objects and materials can be transported, Cinderella-like, into the alchemical realm of fine art. This is partly a property of the materials themselves: the symmetry, weightiness, and economy of products meant for construction. “Russell Maltz: Painted/Stacked/Site” on view at Minus Space in Dumbo, through July 30, with an additional nearby storefront installation and a slide show depicting found sites of construction material.

Studio Visit

Deborah Dancy: To seduce and unnerve

Contributed by Sharon Butler / Deborah Dancy’s big abstractions have migrated from the murky darkness inspired by research into the lives of her Black ancestors, who were enslaved in the South, to a visual language informed by the rural landscape that surrounds her home and studio in Storrs. I visited her on a bitter winter day in March before Kathryn Markel Fine Art in Chelsea and Marcia Wood in Atlanta had picked up work for her upcoming solo exhibitions.