In his new work, Bill Jensen gets reductive, working in a large-scale triptych format with a limited palette. Here’s the James Kalm Report coverage of Jensen’s exhibition at Cheim & Read, where, understandably, Jensen doesn’t want to talk about the paintings on camera. The paintings look sublime.
Bill Jensen, installation view.
Bill Jensen, installation view.
“Bill Jensen,” Cheim & Read, New York, NY. Through February 18, 2012.
Related post: Bill Jensen’s long and winding nature trail
——-
Subscribe to Two Coats of Paint by email.
I always liked Bill Jensen's work, but these paintings don't look as good in person as they look in JPEGs.