Contributed by Margaret McCann / Vincent van Gogh drew from many sources in his short, intensely inventive career. “Van Gogh’s Cypresses,” now up at the Metropolitan Museum of Art, highlights his encounter with the Mediterranean conifer. A symbol of mourning, it dramatically punctuates the Tuscan landscape, and appears in paintings by Leonardo, in Arnold Bocklin’s Isle of the Dead series (who probably it in Rome), and Salvador Dali, among others. Van Gogh noticed the “interesting, dark note” in the Provencal landscape, near the end of a peripatetic life.
Tag: The Metropolitan Museum
Artists under duress: Max Beckmann
Contributed by Jonathan Stevenson / Esteemed in Germany during the Weimar Republic but branded a “degenerate artist” by the anti-modern Adolf Hitler, the great expressionist painter Max Beckmann fled Nazi Germany to Amsterdam and continued to paint. Returning to Germany after the war may have struck him as craven or […]
Why Bacon?
Francis Bacon is one of those painters every beginning painting student adores because Bacon�s work is so much more accessible than the abstract painters who were exploring similar existential themes during the same period. The accessibility of Bacon�s corporeal vision is undoubtedly why his work appeals so strongly to new […]
Bonnard: Folding together form, color and feeling
Roberta Smith on Pierre Bonnard at the Met: “Working simultaneously on several unstretched canvases tacked directly to the wall, he painted largely from memory with the help of quick sketches and watercolors, burnishing his motifs until they approached incandescence. He said that painting from reality distracted him from the task […]
Jewel-encrusted vs. diamond-dusted
I spent a few hours rambling around the Met this week and saw the survey of Raqib Shaw’s opulent jewel-encrusted paintings based on Hans Holbein the Younger’s (ca. 1497-1543) paintings. They reminded me of my daughter’s stained-glass craft kits, but of course those don’t have the oppresive glut of obvious […]
Morandi: “I don’t ask for anything except for a bit of peace which is indispensable for me to work.”
The big Giorgio Morandi survey that opens this week at the Metropolitan Museum features over 100 paintings, drawings, watercolors and etchings. In the New Yorker Peter Schjeldahl writes that painting for Morandi was manual labor, first and last. “For a time, he ground his own pigments. He stretched his own […]
Proto-Bohemian Gustave Courbet arrives at the Metropolitan
Courbet would be glad to know that everyone’s still talking about him. In the NYTimes, Roberta Smith writes that Courbet only grudgingly accepted the title of Realist. “Even in front of his most realistic work, you often find yourself wrestling not so much with lived reality, as with the sheer […]
Jasper Johns: Eminence gray
“Jasper Johns: Gray,” curated by James Rondeau and Douglas Druick at The Art Institute of Chicago. Metropolitan Museum, New York, NY. February 5 – May 4. Check out the NYTimes slide show of images. “Jasper Johns: Drawings 1997-2007,” Matthew Marks, New York, NY. Through April 12. According to the press […]
Courbet retrospective in Paris
“Courbet,” curated by Laurence des Cars, Dominique de Font-R�aulx, Gary Tinterow, and Michel Hilaire. Galeries Nationales du Grand Palais, Paris. Through Jan. 28. Schedule: Metropolitan Museum of Art, New York, NY. Feb.27 to May 18; Mus�e Fabre, Montpellier, June 13 to Sept. 28. The exhibition, which includes over 130 paintings […]
Ab-Ex at the Met
“Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in the Metropolitan Museum of Art,” selected and installed by Gary Tinterow. The Metropolitan Museum of Art, New York, NY. Through Feb. 3. In the NYTimes, Roberta Smith drools over Mrs. Newman’s collection, but NYSun critic Lance Esplund […]