Contributed by Peter Schroth / Anyone with an aversion to charm might want to sidestep Rob Lyon’s seductive show at Hales Gallery. Those seeking a diversion from the world’s traumas may find a refuge there. From Sussex, England, the artist finds his inspiration in the local landscape – a common point of reference for modern British painters. Their ghosts and others’ are clearly traceable here. Indications emerge of several additional painting traditions. Lyon borrows freely from his British forbears – note his use of rosy sand and faded blues in line with their penchant for muted palettes – but also from the Cubists and Giorgio Morandi.
Tag: painting
Artist’s notebook: Sage Tucker-Ketcham
On her return as a Two Coats of Paint Resident Artist, we invited Sage Tucker-Ketcham to contribute an “Ideas & Influences” column. With roots reaching back fourteen generations in Vermont, Sage transforms daily walks into botanical compositions based on her memories of observed wildflowers and native vegetation. She is particularly interested in overlooked plants that she finds in unexpected places. Sage will be in residence from Sunday, January 4 through Friday, January 9, 2026. Please join us for an Open Studio on Wednesday, January 7, from 5–7 PM.
Clintel Steed’s careful daring
Contributed by Margaret McCann / In Clintel Steed’s show of paintings at Shrine Gallery, “Different Time Zones, Different Dimensions,” temporal experience is evoked through formal language as much as subject matter. In most, dynamic fragmentations of contemporaneity are fixed in static tessellations of paint. Richly varied shapes, packed in shallow space on dense surfaces, lead from abstraction to illusion.
Absence: The highest form of presence
Contributed by Paul Behnke / My wife Garner Behnke, who suffered from debilitating illness and took her own life two years ago this December, was a passionate, funny, intelligent, and talented woman whom I love and miss very much. She wrote wonderful poetry and short stories. She loved her dog Gyp beyond measure. She believed in me and my work and never minded if I woke her in the middle of the night to come and see a just-finished painting, which I was almost always unduly excited about.
Two Coats Resident Artist: Lawre Stone, October 20 – 27
Contributed by Sharon Butler / On October 20, Two Coats of Paint welcomes Lawre Stone from the countryside near Hudson, New York. She is aesthetically as well as socially concerned with ecological displacement and how species adapt, invade, and persist in landscapes reshaped by human intervention. Her paintings reveal the hidden-in-plain-sight world of botanical life.
Marta Lee: Privileging intimacy and multiplicity
Contributed by Jason Andrew / In an explosion of color and clutter, Marta Lee’s new work, on view at Tappeto Volante in Gowanus, shakes up the revered tradition of still life painting. Lee fills her paintings with the “material archive of her life” – digital clock radios, toys from childhood, record albums, family heirlooms, and pride flags. She plays with how memory and context shape our visual experience, bringing perception into personal life and exploring the accrual of meaning through painting.
Amy Sherald’s American dreams
Contributed by Margaret McCann /Amy Sherald’s paintings of mostly ordinary and upright African Americans, in “American Sublime” at the Whitney Museum, transcend portraiture, vaulting to socio-political metaphor. Their evocative titles – drawn from Emily Dickinson, Zora Neale Hurston, Toni Morrison, and other cultural figures – suggest an array of personalities or experiences. But the exhibition title, from Elizabeth Alexander’s poem of the same title, unsettles our understanding of what both figures and viewers behold.
Julie Beaufils: New painting for end times
Contributed by Jason Andrew / It’s easy to associate the new paintings by Julie Beaufils, now on view at Matthew Brown Gallery in Tribeca, with a post-apocalyptic world. The sixteen paintings suggest fractured architectures and abandoned fields, sun baked and rising from a humming radioactive haze. Beaufils lives and works in Paris, and her precise lines and delineated spaces capture its curving promenades, narrowed boulevards, and sinking perspectives. Travels to Los Angeles and the American Southwest have also influenced this new work.
Andrea Sulzer and the art of intuition
Contributed by Mark Wethli / In an artist’s statement about her works on paper, Andrea Sulzer once wrote: “Instead of helping you find your way, these pages will help you get lost.” This notion not only sets aside a common assumption about what some viewers look for in a work of art, but also, in her choice of the word “pages,” connotes a different kind of art object altogether — something we’re meant to decipher, like a book or an atlas. She invites the viewer into a contemplative experience, grounded in uncertainty, that doesn’t purport to have the last word but presents a labyrinth of potential meanings that the artist welcomes us to explore. Like our first inkling of inspiration–what Emerson called our “gleams of light”–Sulzer’s art presents us with visual puzzles that resist logical interpretation but reward us instead with a quickening sense of our own creative intuition. Sulzer’s latest exhibition, “see through simple,” now on view at Sarah Bouchard Gallery in Woolwich, Maine, is a welcome opportunity to explore the work of this important mid-career artist.
Post-exhibition shout-out: “We Woke Up This Way” at Sardine
Contributed by Sharon Butler / Despite our deep dive several years ago into Provisional painting and the Casualist tendency, a battery of questions continues to confront painters in […]
Hilma af Klint: A timely message from the beyond
Contributed by Emma Stolarski / At the Guggenheim, Hilma af Klint�s paintings present themselves one by one, up the spiral ramp, just as she had dreamt […]
David Humphrey: Facile like a fox
Contributed by Jonathan Stevenson / It might be tempting to conclude that David Humphrey is too facile a painter for his own damn good — that his […]
Robert Yoder on slowing down the process
Contributed by Sharon Butler / I met Robert Yoder at a fair in Miami a few years back, and, since we have a similar aesthetic, he […]
Interview: Magalie Gu�rin�s multiple endings
Contributed by Sangram Majumdar / Last weekend Magalie Gu�rin and I met up at her current exhibition, SOLUTE at Chapter NY, to talk shop. We discussed the […]
Vincent Desiderio: Painting as a theoretical vanguard
Contributed by Barbara Kerstetter /�Vincent Desiderio is a powerful, unique voice in the contemporary art world. His�paintings have commanded an international following for more than […]































