Tag: painting

Solo Shows

Rob Lyon’s storm-free world

Contributed by Peter Schroth / Anyone with an aversion to charm might want to sidestep Rob Lyon’s seductive show at Hales Gallery. Those seeking a diversion from the world’s traumas may find a refuge there. From Sussex, England, the artist finds his inspiration in the local landscape – a common point of reference for modern British painters. Their ghosts and others’ are clearly traceable here. Indications emerge of several additional painting traditions. Lyon borrows freely from his British forbears – note his use of rosy sand and faded blues in line with their penchant for muted palettes – but also from the Cubists and Giorgio Morandi. 

Ideas & Influences Resident Artist

Artist’s notebook: Sage Tucker-Ketcham

On her return as a Two Coats of Paint Resident Artist, we invited Sage Tucker-Ketcham to contribute an “Ideas & Influences” column. With roots reaching back fourteen generations in Vermont, Sage transforms daily walks into botanical compositions based on her memories of observed wildflowers and native vegetation. She is particularly interested in overlooked plants that she finds in unexpected places. Sage will be in residence from Sunday, January 4 through Friday, January 9, 2026. Please join us for an Open Studio on Wednesday, January 7, from 5–7 PM.

Solo Shows

 Clintel Steed’s careful daring

Contributed by Margaret McCann / In Clintel Steed’s show of paintings at Shrine Gallery, “Different Time Zones, Different Dimensions,” temporal experience is evoked through formal language as much as subject matter. In most, dynamic fragmentations of contemporaneity are fixed in static tessellations of paint. Richly varied shapes, packed in shallow space on dense surfaces, lead from abstraction to illusion.

Artist's Notebook Remembrance

Absence: The highest form of presence

Contributed by Paul Behnke / My wife Garner Behnke, who suffered from debilitating illness and took her own life two years ago this December, was a passionate, funny, intelligent, and talented woman whom I love and miss very much. She wrote wonderful poetry and short stories. She loved her dog Gyp beyond measure. She believed in me and my work and never minded if I woke her in the middle of the night to come and see a just-finished painting, which I was almost always unduly excited about.

Resident Artist

Two Coats Resident Artist: Lawre Stone, October 20 – 27

Contributed by Sharon Butler / On October 20, Two Coats of Paint welcomes Lawre Stone from the countryside near Hudson, New York. She is aesthetically as well as socially concerned with ecological displacement and how species adapt, invade, and persist in landscapes reshaped by human intervention. Her paintings reveal the hidden-in-plain-sight world of botanical life.

Solo Shows

Marta Lee: Privileging intimacy and multiplicity

Contributed by Jason Andrew / In an explosion of color and clutter, Marta Lee’s new work, on view at Tappeto Volante in Gowanus, shakes up the revered tradition of still life painting. Lee fills her paintings with the “material archive of her life” – digital clock radios, toys from childhood, record albums, family heirlooms, and pride flags. She plays with how memory and context shape our visual experience, bringing perception into personal life and exploring the accrual of meaning through painting.

Museum Exhibitions

Amy Sherald’s American dreams

Contributed by Margaret McCann /Amy Sherald’s paintings of mostly ordinary and upright African Americans, in “American Sublime” at the Whitney Museum, transcend portraiture, vaulting to socio-political metaphor. Their evocative titles – drawn from Emily Dickinson, Zora Neale Hurston, Toni Morrison, and other cultural figures – suggest an array of personalities or experiences. But the exhibition title, from Elizabeth Alexander’s poem of the same title, unsettles our understanding of what both figures and viewers behold.

Solo Shows

Julie Beaufils: New painting for end times

Contributed by Jason Andrew / It’s easy to associate the new paintings by Julie Beaufils, now on view at Matthew Brown Gallery in Tribeca, with a post-apocalyptic world. The sixteen paintings suggest fractured architectures and abandoned fields, sun baked and rising from a humming radioactive haze. Beaufils lives and works in Paris, and her precise lines and delineated spaces capture its curving promenades, narrowed boulevards, and sinking perspectives. Travels to Los Angeles and the American Southwest have also influenced this new work.

Solo Shows

Andrea Sulzer and the art of intuition

Contributed by Mark Wethli / In an artist’s statement about her works on paper, Andrea Sulzer once wrote: “Instead of helping you find your way, these pages will help you get lost.” This notion not only sets aside a common assumption about what some viewers look for in a work of art, but also, in her choice of the word “pages,” connotes a different kind of art object altogether — something we’re meant to decipher, like a book or an atlas. She invites the viewer into a contemplative experience, grounded in uncertainty, that doesn’t purport to have the last word but presents a labyrinth of potential meanings that the artist welcomes us to explore. Like our first inkling of inspiration–what Emerson called our “gleams of light”–Sulzer’s art presents us with visual puzzles that resist logical interpretation but reward us instead with a quickening sense of our own creative intuition. Sulzer’s latest exhibition, “see through simple,” now on view at Sarah Bouchard Gallery in Woolwich, Maine, is a welcome opportunity to explore the work of this important mid-career artist.