Contributed by Leslie Roberts / Gabriele Evertz’s new paintings are a song cycle in color. Some of her previous shows had singular emotional states as themes; “Rapture” and “Exaltation” are two. But in her new solo “Path” at Minus Space, six large square canvases extend the concept, forming a chromatic narrative – an emotional journey through the pandemic to the present. They start in despair and isolation, move through night with glints of hope, break sharply, and conclude, not with sadness but with strength in a belief in the urgency of color in life. Evertz, whom some might call quintessentially modernist, sees her new work as neo-Romantic.
