Contributed by Jonathan Stevenson / It goes almost without saying that paintings of people need to bring more to the table than faithful visual representations of […]
Author: Two Coats Staff
Undergraduate Sketchbook: Katie Fuller
“The sketchbook practice is always something I return to when painting or any other more physical work seems too daunting. The intimacy is healing. It�s a safe […]
Laura Owens: So much fun
Contributed by Sharon Butler / Laura Owens�s mid-career survey�at the Whitney Museum�features more than�60 paintings, many large-scale and hung salon-style, from the mid-1990s until today. […]
On file: Leslie Brack at Cathouse Proper
Contributed by Sharon Butler / Offices were once equipped with typewriters, copy machines, and paperclips, and, of course, contained the files that organized and stored […]
Lisa Beck: So-called opposites
“I am attracted to related visual phenomena like positive and negative, pattern and randomness, color and grayscale, flatness and depth, representation and abstraction. I always […]
Jacqueline Humphries: The Matrix meets Cy Twombly
Contributed by Sharon Butler / In her ninth solo show at Greene Naftali, Jacqueline Humphries presents ten towering�canvases that grapple with our relationship to digital […]
Roy Dowell and Richard Kalina: Standing their ground
Contributed by Marjorie Welish / “Synchronicity: A State of Painting� an exhibition featuring work by�Roy Dowell and Richard Kalina, on view at Lennon, Weinberg through […]
Cary Smith�s hand-painted precision
Contributed by Sharon Butler / In his second solo at Fredericks & Freiser, Cary Smith presented a new group of his signature hard-edged abstractions. These�feature […]
Laurie Sverdlove: Unsettled in Vermont
Contributed by�Dian Parker�/ Vermont artist�Laurie Sverdlove has been painting for�four�decades. In high school�she�took classes at the Art Students League in New York City�and earned�her�MFA from […]
Jeremy Hof: The elephant In the room
Contributed by Dion Kliner / A preamble: An elephant in a living room, as unlikely as it is to find one there, would never be mistaken for a couch. That is something of the situation that Jeremy Hof’s work puts one in; forcing the unfortunate necessity of bringing up the question of a particular piece being either painting or sculpture when an answer should be obvious and unnecessary. At this date the general question of something being either painting or sculpture is about as interesting as the question of whether something is art or not, and as equally productive (which is to say not at all). And yet here the question sits (I imagine it grinning), persistent and unavoidable.
Undergraduate Sketchbook: Phoebe Funderburg-Moore
“The practice of making my art public is a new one, because often drawing is a coping mechanism for me. Scanning & posting my drawings […]
Effects of chance: A conversation with Emily Berger
Contributed by Sharon Butler / Brooklyn painter Emily Bergeris a masterful scumbler, dragging brushes of dry paint across panels to create scratchy horizontal bands of […]
Of Latino descent: “Radical Women” in LA
Contributed by Katarina Wong /�The Getty recently launched�Pacific Standard Time: LA/LA,�a highly ambitious and rewarding initiative that explores Latin American and Latino art �in dialogue� […]
A three-hour tour: Selected Bushwick galleries
Contributed by Sharon Butler / As some readers may remember, I went to the University of Connecticut for my MFA degree, and until last year, […]
Fernanda Fragateiro: Commemorative abstraction
Contributed by Marjorie Welish / The clearest innovation of Portuguese artist Fernanda Fragateiro‘s poignant exhibition, on view at Jose Bienvenu through November 4, is the […]





















