Child exploring a Richard Serra at the National Gallery of Art in Washington, DC.
Child exploring a Richard Serra at the National Gallery of Art in Washington, DC.
Swedish-born and UK-based, artist, activist, writer and eco-feminist Monica Sjöö (31 December 1938 - 8 August 2005) fought for freedom from oppression, but especially for women’s rights. “THE GREAT COSMIC MOTHER” @modernamuseet is her first retrospective. Swipe for the image that was considered blasphemous and obscene in the 1970s.
Rejecting abstract art as a Western male privilege, she asked: “How does one communicate women’s strength, struggle, rising up from oppression, blood, childbirth, sexuality – in stripes and triangles?”
#MonicaSjöö #cosmicmother #modernamuseet #stockholm
In the studio of Prince Eugen Napoleon Nicolaus of Sweden and Norway, Duke of Närke (1 August 1865 – 17 August 1947) was a Swedish painter, art collector, and patron of artists. Swipe through for a wide angle of his attic studio. Yes, it has a water view :) #stockholmartist #Waldemarsudde #Djurgården #princeeugen #landscapepainting
Save the date: Two Coats of Paint is hosting our first Hudson Valley Gallery Crawl on Oct 14 and 15. 💥 To kick off the weekend, we`re organizing a live conversation on the evening of Friday, October 13, moderated by Two Coats of Paint publisher @sharon_butler / Details to come ✍️
Participating galleries include:
Analog Diary
Art Sales & Research
Artport Kingston
Buster Levi
Collar Works
D’Arcy Simpson Art Works
Susan Eley Fine Art
Elijah Wheat Showroom
Front Room Gallery
Galerie Gris
Garage Gallery
Garrison Art Center
Geary
Joyce Goldstein Gallery
Alexander Gray Associates
Carrie Haddad Gallery
Hudson Hall
LABspace
Lightforms Art Center
Lockwood Gallery
Mother Gallery
Opalka Gallery
Private Public Gallery
The Re Institute
SEPTEMBER
Pamela Salisbury Gallery
Turley Gallery
Visitor Center
Woodstock Artists Association & Museum
@analogdiary.art @artsalesandresearch @artportkingston @busterlevi_gallery @collarworks @darcysimpsonartworks @sefa_gallery @elijah_wheat_showroom @frontroomnyc @galerie_gris @garagegallerybeacon @garrisonartcenter @gearycontemporary @joycegoldsteingallery @alexandergrayassociates @carriehaddadgallery @hudsonhallny @labspace_art @lightforms_art_center @thelockwoodgallery1 @mothergallery @opalka_gallery @privatepublicgalleryhudson @the_re_instititute @septembergallery @pamelasalisburyhudson @turleygallery @visitorcenterspace @waamart
Look for more info both here and on www.twocoatsofpaint (link in profile)
See you there 😎 🍻
Latest post, link in profile / Ed Ruscha’s retro spective / Contributed by Laurie Fendrich / The work of the Los Angeles artist Ed Ruscha is often referred to as a West Coast version of Pop Art. The implication, of course, is that since it didn’t come out of New York, it must be inferior. His retrospective “Now Then,” his first at the Museum of Modern Art and first in New York since 1983, contains over 200 works from 1958 to the present…. Despite its outward similarity to conceptual art and New York Pop Art, Ruscha’s work feels decidedly different. Link in profile
Image: Ed Ruscha, The Los Angeles County Museum on Fire, 1965-68, oil on canvas, 135.89 x 339.09 cm
@edruschaofficial @themuseumofmodernart @lauriefendrich #edruscha #moma #lauriefendrich
New post, link in profile / Selected Paintings from SPRING/BREAK NYC 2023 / Contributed by Fay Sanders and Bob Szyantyr / In a shift befitting this year’s theme, !WILD CARD!, the Spring/Break Art Show departs from its past trajectory of more-and-bigger spectacle, year after year. Building on the “Secret Show” of this past spring, which returned to the Old School where the fair began, the organizers asked artists for this year’s show at 625 Madison to revisit past themes with a mix of nostalgia, homage, and cheekiness. Link in profile
Image: Jackson Hill (detail) / Booth 1018 “Backyards” curated by Todd Cramer. Featuring artists Todd Cramer + Jackson Hill + Guillermo Amat. Theme: Fact and Fiction (2019)
#springbreakartshow #springbreakartshow2023 @faysanders_ @blahbert @springbreakartshow @ambrekelly @andrewgoriandfriends @jacksonhillart @debbikenote
When I got the email from @alexandregallery yesterday, announcing that they were presenting a clutch of #lorenmaciver paintings @independent_hq, I scrambled for a press ticket to the preview so I could see the work one more time before it passed into private hands. The fair, located on the waterfront next to the Staten Island Ferry, was nothing if not elegant, and the MacIvers didn’t disappoint. Here are details of a MacIver and some other pieces that caught my eye. Then I walked over to Pier 11 and took the ferry back to the studio in Dumbo. Great morning 💥Sorry not to have images of the Sigmar Polke photographs — knockout @sieshoeke — Kenwyn Critchlow paintings @dianerosenstein, the Mary Dill Henry paintings and notes @hauserwirth, Emilio Cruz @corbettvsdempsey, and others. If you can’t make it to the fair, go look them up. Tags to come, but feel free to identify in the comments.
#independent20thcentury #painting #lorenmaciver #alexandregallery
child sandwich!!!!!
Yes it is true, Richard Serra's sculptures are not only dangerous, they are a huge curiosity to children. I was there when a young boy was pushing on one of the vertical plates. A security guard from the museum told the father, who was standing nearby, that if he did not control the child and get him to refrain from pushing on the plates that he would have to arrest the father.
As the New York Art online magazine put it, "Sculpture was supposed to be an object in a gallery, something to be politely circumnavigated; Serra�s art swallowed you whole." It is true that a Serra sculpture had, indirectly, killed someone (a rigger, crushed to death in the early seventies). The current show of Serra's Torqued Ellipses at the Dia Center for the Arts, New York, is a bit more connected to the floor and has a seemingly better overall balance and possibly a lot safer to walk around.
What is so horrifying…? Serra's art is magnificent and stunning. The bigger the better…I could think of a lot of other so called art…it is all an educated opinion anyways…and with my M.F.A. I find challenging the more out there the better…but then again I love the narrative and some of the work of the so called realism revival movement …or whatever…as well…What I do not like is pompous attitude…and flippent (and bad spelling…sic)…silly remarks to get attention. Thank goodness we have a lot of freedom to explore…unlike many backward cultures stuck in controlling the public.
It is the parents' responsibility to be responsible for their child inside a museum or art gallery. And, unless the public was invited to touch the artworks, the mother should not have allowed her child to approach that closely. Clearly it would have been difficult for her to remove him from inside even if there were no disaster. (What was she thinking?)
But with that said, you also expect that a museum with sculpture that beckons to us as this does (that's why we like it) would insist on at least the minimum requirements for engineering structures that will potentially have people touching or in them. Even if there were barriers to keep people out, as a museum, you cannot assume that nobody will leap in for a curious touch or risk a crawl-through. Gravity is not enough to stop the exceptionally gifted. 🙂