Child exploring a Richard Serra at the National Gallery of Art in Washington, DC.
Child exploring a Richard Serra at the National Gallery of Art in Washington, DC.
Kerry Downey and Julián Kreimer conversation at the Sarah Lawrence College Heimbolt Center for Visual Art
Raphael’s innovations and influence
Angelo Vasta: Comfort in darkness
Amorelle Jacox’s spiritual science
NYC Selected Gallery Guide, June 2026
Hudson Valley (+ Vicinity) Selected Gallery Guide, June 2026
Sharon’s Substack / June 1, 2026
David Humphrey: The hiker
Zombie Formalism vs. Paul Brown’s abundant abstraction
David Gilbert’s fugitive miracles
Jessica Frances Grégoire Lancaster: Loss and memory
Plagens: Ralph Meeker, or why I like James Brooks as much as de Kooning
NYC Selected Gallery Guide, June 2026
Contributed by Sharon Butler / In June, in the wake of an exhausting month of fairs, NYC galleries are again presenting a full slate of exhibitions. A...
How the term “zombie formalism” killed the next generation
Contributed by Sharon Butler / In 2014, a single phrase reshaped the trajectory of contemporary abstract painting. When the late Walter Robinson – pai...
April Gornik’s unsettled landscapes
Contributed by Rebecca Allan / In “Liminal States,” Miles McEnery Gallery presented recent paintings by April Gornik, juxtaposing five of her familiar...
American Abstract Artists in the 1930s
Contributed by Jacob Cartwright / In 1957, Clement Greenberg penned the essay “The Late Thirties in New York,” reflecting on years that were formative...
Hudson Valley (+ Vicinity) Selected Gallery Guide, June 2026
Contributed by Karlyn Benson / This month I am looking forward to the opening of Putting it Together: Transforming Collage at 68 Prince Street Gallery...
Emma Webster: Peculiar but pleasant
Contributed by Will Maddoxx / Last summer, the New York Times reported that someone impersonated Lady Gaga to buy a painting of Emma Webster’s. The p...
child sandwich!!!!!
Yes it is true, Richard Serra's sculptures are not only dangerous, they are a huge curiosity to children. I was there when a young boy was pushing on one of the vertical plates. A security guard from the museum told the father, who was standing nearby, that if he did not control the child and get him to refrain from pushing on the plates that he would have to arrest the father.
As the New York Art online magazine put it, "Sculpture was supposed to be an object in a gallery, something to be politely circumnavigated; Serra�s art swallowed you whole." It is true that a Serra sculpture had, indirectly, killed someone (a rigger, crushed to death in the early seventies). The current show of Serra's Torqued Ellipses at the Dia Center for the Arts, New York, is a bit more connected to the floor and has a seemingly better overall balance and possibly a lot safer to walk around.
What is so horrifying…? Serra's art is magnificent and stunning. The bigger the better…I could think of a lot of other so called art…it is all an educated opinion anyways…and with my M.F.A. I find challenging the more out there the better…but then again I love the narrative and some of the work of the so called realism revival movement …or whatever…as well…What I do not like is pompous attitude…and flippent (and bad spelling…sic)…silly remarks to get attention. Thank goodness we have a lot of freedom to explore…unlike many backward cultures stuck in controlling the public.
It is the parents' responsibility to be responsible for their child inside a museum or art gallery. And, unless the public was invited to touch the artworks, the mother should not have allowed her child to approach that closely. Clearly it would have been difficult for her to remove him from inside even if there were no disaster. (What was she thinking?)
But with that said, you also expect that a museum with sculpture that beckons to us as this does (that's why we like it) would insist on at least the minimum requirements for engineering structures that will potentially have people touching or in them. Even if there were barriers to keep people out, as a museum, you cannot assume that nobody will leap in for a curious touch or risk a crawl-through. Gravity is not enough to stop the exceptionally gifted. 🙂