Contributed by Sharon Butler / In “The Vulnerable Paintings,” on view at OSMOS Address through March 4, Michele Araujo has decisively found her voice. After working on rigid aluminum panels for years, Araujo has shifted to sheets of vellum, unapologetically embracing the beauty of color and the seductive nature of process. The result is a handsome and satisfying kind of arrival.
Tag: Osmos
Non-intent, or, questioning the tyranny of curatorial premise, at Osmos Address
“Mind the Gaps” at the Osmos space on East 1st Street takes as its curatorial premise that it has no consistent curatorial premise and so offers a welcome respite to the incessant connecting of dots of contemporary life. The curatorial statement of non-intent leaves viewers to “puzzle out their own version of coherence.”
Adam Simon and Anton Stankowski: Innovation, replication, mutation
“AS/AS: Anton Stankowski / Adam Simon” at Osmos Address explores the convergent interests of two artists, separated by 50 years, coming from two different fields, who had never met and whose work was unbeknownst to one another,.