Contributed by Sharon Butler / In 2012, artist, writer, and curator Brian Edmonds founded Curating Contemporary, an online exhibition space that, since its inception, has hosted over fifty exhibitions. Then, in 2019, Edmonds took his project to print, and began publishing Eraser, a biannual book featuring the work of contemporary artists and writers. This year he has organized an exhibition called “Eraser” at Ground Floor Contemporary, in Birmingham, Alabama, that brings together some of the artists who have been featured in his publications. I’m pleased to be included in the fourth Eraser book and also to have two paintings in the show, alongside work by a great group of artists: Matt Kleberg, Jered Sprecher, Jason Stopa, Sean Sullivan, Vadis Turner, Cecilia Vissers, Don Voisine, and Thornton Willis.
Tag: Jason Stopa
Panel discussion: Painting in 2020
On January 16, 2020, artist and curator Jason Stopa invited Katherine Bradford, Sharon Butler, Craig Stockwell and Thomas Micchelli for a panel discussion about the issues abstract painters are addressing today. The conversation took place at Monica King Contemporary, a new gallery in Tribeca where Stopa organized �New Skin,� an […]
Catalogue essay: Elisabeth Condon’s flowers and the visionary impulse
Contributed by Jason Stopa / Some painting of the last decade presents itself as politically neutral, simply about aesthetic taste, and lacks any stakes. Others still are incredibly didactic, demanding the viewer agree with their sentiment as much as their surfaces. Somewhere in the nexus of this is a painting […]
Jason Stopa: Inside and out
Contributed by Riad Miah / In �The Gate,�Jason Stopa’s fourth New York solo and his first one-person show at Steven Harvey Fine Arts Projects, the artist has painted a lattice-like pattern on a bright yellow wall and hung his canvases to look as if they are hanging on a chainlink […]
New subjectivity: Figurative painting at Pratt Manhattan Gallery
Contributed by Sharon Butler / In a lively group show of large canvases at the Pratt Manhattan Gallery, curator Jason Stopa makes a strong case that contemporary painters, particularly those working figuratively, are cultivating a new form of Expressionism. He cites popular culture (cartoons, fashion photography, YouTube videos), personal narrative, […]