In the Boston Globe Cate McQuaid reports that George Nick, one of the teachers at Massachusetts College of Art when I got my BFA back in the day, may be 82, but he’s still growing as a painter. “His exhibit at Gallery NAGA is alive with texture, and tone, and […]
Award-winning blogazine, primarily about painting
Wednesday, October 5, 2022
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Tom Bills’ ground truth
Contributed by Jonathan Stevenson / Tom Bills, for decades primarily a large-scale sculptor, has recently... -
Abstraction by the numbers
Contributed by Bonnie Morano / I’m a numbers person. Some say that’s atypical for an... -
Letter from the Midwest: Fine value at The Bank
Contributed by Jenny Zoe Casey / I recently set out on a five-hour solo road... -
Cathy Diamond and Laurie Fader: The romance of painting
Contributed by Margaret McCann / Stylistic affinities hold the paintings of Cathy Diamond and Laurie... -
Hudson Valley Selected Gallery Guide: October, 2022
Contributed by Sharon Butler / This month, Open Studio Hudson takes place October 8-9. The... -
Fran Shalom: Finding weight and presence (with humor)
Contributed by Sharon Butler / I went to visit Fran Shalom's studio in Jersey City... -
Artist’s Statement: Vittorio Colaizzi
The paintings come from drawing—not finished plans but compositional ideas that make way for the... -
Paul Corio: Unapologetically vivid visual sensations
Contributed by Jacob Cartwright / The snappy color-driven works in Corio’s fourth solo at McKenzie... -
Hank Ehrenfried’s painterly erudition
Contributed by Michael Brennan / “Fold Upon Fold,” the title of Hank Ehrenfried’s first solo... -
Cora Cohen’s thoroughbred abstraction
Contributed by Michael Brennan / The virtues of some art emerge only when it steps... -
Five Things: Katherine Bradford at Portland Museum of Art
Contributed by Ellen Letcher and Julie Torres / We are huge Katherine Bradford fans, and...