Contributed by Michael Brennan / To my mind, the cultivation of art is mainly about making distinctions, and Cyrilla Mozenter’s solo show “Problems of Art” at 57W57 Arts hits that mark. She is essentially a sculptor – and a great one – in that she makes beautiful objects. Much as I admire her approach to volume, though, it’s her novel transformation of drawing into predominantly felt sculpture – decisive cuts made with sewing shears, silk whipstitching like super-sutures – that generates the greatest sense of adventure.