Contributed by Will Kaplan / In her solo show “Solarium” at Picture Theory, Lauren Clay compresses different scales of time into tight, enchanting wall sculptures. In modernizing the timeless form of the archway, her work reflects the structure’s progression from functional to aesthetic. The series of torso-sized works foster an intimate viewing experience, comparable to an altarpiece. Traditionally, altarpieces hover behind the altar itself. The faithful kneel beneath them for their sacraments, like the Eucharistic transformation…
Tag: Christianity
Jennifer Bartlett’s demons
Contributed by Patrick Neal / During the late 1980s and ‘90s, the painter Jennifer Bartlett produced four major series examining the classical elements of fire, air, earth, and water. The first three bodies of work, Fire Paintings, Air: 24 Hours, and Earth Paintings and Drawings, were exhibited at Paula Cooper’s Soho gallery, and Water, the last, at Gagosian in Los Angeles in 1997. In perusing images, it’s easy to find straightforward examples of fire, air, and water, but earth proves more elusive. What emerge instead are compositions of domestic scenes with strange people centered around homes, vacations, and holidays suggesting an underlying storyline. In Bartlett’s work, human presence is usually manifested through symbolic motifs or psychological traces, which makes the figures and narratives in the Earth paintings all the more intriguing.
Paul Gardère’s prescient eclecticism
Contributed by Adam Simon / Paul Gardère (1944–2011), whose work is now on view in “Second Nature” at Magenta Plains, is known for a unique version of combine paintings, incorporating assemblage, found objects, photography, dirt and glitter into works that critique the legacy of colonialism in Haiti and its diaspora. The problem with this narrative is that it undersells how formally innovative his work was in its time, the degree to which it stems from his own biography, and how it anticipated our current multi-screen reality.



















