Tag: Bill Arning

Solo Shows

Felix Beaudry’s malleable boys

Contributed by Bill Arning / There is something wildly compelling when an installation flips on you—reversing itself in meaning and affect if you linger more than five minutes. Felix Beaudry’s “Malleable Boys” at Situations is one of those shows. On first entry, oversized, lumpy, monstrous heads loom and encircle you like funhouse demons. They feel nightmarish—deformed, melting, mid-metamorphosis into dangerous humanoid creatures. But stay a beat longer and the menace softens. They become almost cute, like huggable, overgrown Cabbage Patch Kids—less terrifying than misunderstood.

Gallery Guides NYC Gallery Guide

NYC Selected Gallery Guide, February 2026

Contributed by Sharon Butler / It’s February and my head is already spinning. I saw a few shows yesterday and recommend a trip to 15 Orient on 72 Walker Street (enter on Cortlandt Alley) to see Mitchell Kehe’s show “Bonded by the Spirit of Doubt,” in which enigmatic composition seems to affirm and concretize the pit I feel in my stomach. If narrative is more your jam, stop by LUNCH, a pop-up space downstairs from NADA headquarters at 311 East Broadway. Bill Arning has curated a show called “Ambiguous Storytellers” featuring Hannah Barrett, Tyler Brandon, Ario Elami, Matthew Gilbert, T.J. Griffin, Paula Hayes, Brian Kenny, Phil Knoll, Steven Lack, Jean Paul Mallozzi, Daniel Morowitz, Donna Moylan, Rajab Ali Sayed, and Erik Daniel White. Don’t miss Hilary Harnischfeger’s “Song for Clouds,” the artist’s fifth exhibition at Uffner & Liu. She crafts handmade objects that uncannily reflect the geological processes of tectonic pressure, sediment layering, and mineral buildup. Two Coats fave Alex Kwartler returns to Magenta Plains with “Off-Peak,” a solo show in which he presents “an inventory of passing attentions” that perfectly capture this age of distraction.

Solo Shows

John Kelly: The body is never abstract

Contributed by Bill Arning / In the mid-1980s, great art experiences of every conceivable stripe seemed to bloom prodigiously and organically from a single club on Avenue A called the Pyramid. Out of this dark, sticky-floored dive came a motley congregation of artists, musicians, drag queens, filmmakers, and poets who launched shockingly original cultural provocations that still reverberate globally, even though relatively few people witnessed them at the time.

Solo Shows

Kylie Heidenheimer’s ecstatic dissonances

Contributed by Bill Arning / Private Public Gallery has earned its reputation for mounting deeply considered exhibitions of painting that honor artists who have spent decades refining their own private grammars of mark and color. Entered through a small garden – an architectural prelude that feels almost ceremonial – the gallery offers a perfect threshold for work that rewards slow, attentive looking. “Here, Elsewhere,” Kylie Heidenheimer’s first solo exhibition there, is fully in that lineage.

Solo Shows

Richard Bosman at Headstone Gallery

Contributed by Bill Arning / Long-time Bosman watchers often recall his work as a firehose of imagery—gunfights and car chases, sinking ships, kidnappings, and robberies pouring out in rapid succession. Fans might therefore be surprised when entering his first solo show at Kingston’s beloved Headstone Gallery, a venue known for its ambitious program of younger artists. In inviting an older master like Bosman, the gallery has delightfully broadened its scope.