Gallery shows

Gallery shows

Providence Biennial: In the present, with the past

Contributed by D. Dominick Lombardi / The 2023 Providence Biennial for Contemporary Art, titled “Curating Commemoration: Poesis/Remedy,” is presented in two related exhibitions in the WaterFire Arts Center, a large, beautifully converted US Rubber Company manufacturing facility originally built in 1929. In keeping with the enterprise’s original mission of infusing high-end curation and presentation with the outsider spirit of the local Providence scene, the exhibition features a rich, wide range of work, from performance, music and design to photography, sculpture and painting.

Gallery shows

Seductive non-objectives at Mother

Contributed by Sharon Butler / I’ve always thought of non-objective art as an especially challenging type of abstraction that doesn’t rely on a visual relationship to the world for meaning. Rather, it conveys meaning through metaphor, material choices, and processes. Sometimes text is incorporated, and, in painting, color and compositional selections play important roles. But the underlying ideas are equally important. Non-objective artists like to mull and ruminate, creating work that gives the viewer something to not only to experience but also to think about. In “I am the Passenger” a two-part group show at Mother Gallery in Beacon, NY, artist-curators Paola Oxao, Trudy Benson, and Russell Tyler articulate two key aspects of non-objective approaches. One is the relationship that non-objective art has with the body – sight, touch, and proximity. The second is the mysterious ability of materials – through texture, shape, and color – to “stir something” that is both personal and universal, as the stars and the sky do in the passenger of Iggy Pop’s eponymous song. The work in the second part of the project, now on view, focuses on this uncanny allure.

Gallery shows

NYC Selected Gallery Guide: July, 2023

The best painting-centric guide to art galleries in NYC, Brooklyn, and Queens / Thanks in part to the Canadian wildfires, the hazy days of July are underway. They are perhaps not so lazy, though, as many artists are working full-throttle in the studio, hatching new ideas or preparing for upcoming exhibitions while dragging themselves away to openings at the summer group shows. I know I say it every year, but I love the off-season. Look for a listing update next week.

Gallery shows

Hudson Valley Selected Gallery Guide: July, 2023

This month check out Carrie Moyer’s first outing at Alexander Gray since they announced her representation a few weeks ago. On July 21-24, the big Upstate Art Weekend juggernaut takes place, but keep in mind there is art everywhere, year round, all the time, in this thriving arts community. If you want to find out what’s happening among the local artists (I do), check out “The Hills Have Eyes” at LABspace, which will feature a slew of talented artists (both the longterm locals and the transplants, who live in Hillsdale and the surrounding towns. No one curates a livelier group show than Julie Torres and Ellen Letcher. At some point, when I can tear myself away from the studio, I hope to see everyone up there.

Gallery shows

Hudson Valley Selected Gallery Guide: May, 2023

This month marks the beginning of the fourth year since the pandemic drove the art community upstate, and, as readers can see from our selected guide, the gallery scene continues to expand and thrive. Seasonal spaces such as the Re Institute are reopening and the hardy year-rounders are gearing up for their busiest season yet.

Gallery shows

The feeling of order: Helen Frankenthaler, Trevor Shimizu, and Wallace Stevens

Contributed by Elizabeth Scheer / As the city transitions into solstitial warmth, two stand-out exhibitions reward the corresponding sense of emergence. Helen Frankenthaler’s “Drawing within Nature: Paintings from the 1990s,” on view at Gagosian, and Trevor Shimizu’s “Cycles” at 47 Canal are preoccupied with what the American poet Wallace Stevens described in his poem “Notes Toward a Supreme Fiction” as the discovery of “order as of a season.” Both exhibitions feature pastoral scenes that impressionistically use color, texture, and line to reveal patterns in the apparent arbitrariness of the natural elements they aim to represent.

Gallery shows

NYC Selected Gallery Guide: March, 2023

What to see: This month, on the Lower East Side, we recommend Two Coats contributor Riad Miad’s solo show at Equity Gallery and Chris Dorland’s show at Lyles & King. In Brooklyn, look for Jessica Weiss at 490 Atlantic, and note that Sheila Pepe has curated a show at Platform Project Space that opens March 2. We’ve never been to Field of Play in Gowanus, so we’re going to try to get over there to see Hopscotch, with Alyson Ainsworth, Kat Chamberlin, and Leonora Loeb. CLEARING is opening a new space at 260 Bowery at the end of the month, with a big group show called “Maiden Voyage.” In Chelsea, who can resist “Ass Backwards,” philisophical wise-ass David Humphrey’s latest at Fredericks & Freiser? And we’ll try not to forget Josephine Halvorson’s “Unforgotten,” which opens at Sikkima Jenkins on March 17. The news from our neighbors in the global art world is that Gerhard Richter, who left Marian Goodman Gallery last year, is having his inaugural show at Zwirner this month, featuring “new and recent abstract works.”

Gallery shows

Hudson Valley Selected Gallery Guide: March, 2023

This past week members of the Two Coats staff were in Baltimore where we met a talented young curator who grew up spending summers near the Hudson Valley. She told us that the last time she was at the family cabin, she couldn’t believe how the area has become such a magnet for so many NYC area artists and galleries. But it’s true. Here’s our selected guide for March.

Gallery shows

NYC Selected Gallery Guide: February, 2023

We lose a few days in February, so there isn’t any time for procrastinating. Among the early-closing must-sees are David Deutsch’s solo at Eva Pressenhuber, Claudia Keep at March (recently reviewed), and the exhibition of sculptors’ drawings that Carl D’Alvia organized at Helena Anrather. New shows include Erika Ranee’s first solo at Klaus von Nichtssagend (opens Feb 18) and Brenda Goodman at Sikkema Jenkins (opens today). And, finally, Paul Pagk’s outstanding show at Miguel Abreu is required viewing.

Gallery shows

NYC Selected Gallery Guide: January, 2023

It’s 2023, and we’re still publishing, thanks to all the readers who made generous contributions during our 2022 Year-End Fund Drive. In Brooklyn, former Two Coats Resident Artist Gyan Shrosbree has a solo at Ortega y Gasset Projects. Strong abstract painting shows include Paul Pagk in his first outing at Miguel Abreu and, at McKenzie Fine Art, Rob De Oude. There are also a slew of mega group-shows (we’re looking at you DC Moore), so everyone will be out and about. Seems like we’re off to a good start. Happy new year!

Gallery shows

An exhilarating gut punch at Shoot the Lobster

Contributed by Jacob Patrick Brooks / I take it as a bad sign when galleries seize an opportunity to “respond” to something. At best, it’s slightly out of touch. The nature of putting on a thoughtful show is that it takes time and effort to pull off. Generally, the result is that it misses the moment. “New Images of Women” at Shoot the Lobster avoids this pitfall. It manages to be both provocative and timely. The work is carefully chosen, the message well-crafted and delivered like a perfectly timed punch in the stomach. 

Gallery shows Lists

Hudson Valley Selected Gallery Guide: January, 2023

Here we are, at the beginning of another year, and we’re feeling kind of frisky with all the possibilities. If you’re flying out of the area, perhaps down south to warmer weather, don’t forget to stop by the Albany International Airport Gallery and check out “Lumen,” a show comprising work by Shaina Gates, Ben Godward, Heather Hutchison — all artists who engage with light in unusual ways. Honestly, though, everything looks good. Why not go see it all? Put Lizzie Gill and Kristen Jensen’s show at Geary in Millerton on your calendar. It opens at the end of the month.

Gallery shows

Past, present, and future: The complementary visions of Jodi Hays and Michi Meko

Contributed by Jenny Zoe Casey / In a fascinating and inspired pairing, “The Burden of Wait” at Susan Inglett brings together painters Michi Meko and Jodi Hays and explores the different ways in which inhabitants of a particular region – here the American South – can experience it. Landscape is an important influence for both artists, but their approaches are mostly in opposition.