First things first. If we don’t all get out and vote on November 8, and Lee Zeldin beats Kathy Hochul in what is now a close governor’s race, sensible gun laws and abortion rights would be at risk. Once you’ve minimized that risk, even if you yourself have a couple of exhibitions coming up, resist the solipsistic urge to hole up in the studio. Get out and see some shows. In Bushwick, Astrid Dick and Erika Ranee are in a two-person show at M. David & Co. that looks well worth a trip on the L train. Delphine Hennelly has a solo opening at nearby Carvahlo Park on November 12. In Tribeca, at Canada, look for Xylor Jane’s exploration of prime palindromes — numbers that read the same forward…
Gallery shows
Conversation: UES gallerist John Molloy
Contributed by Kylie Heidenheimer / I spoke to John Molloy recently about the unusual programming at his eponymous Upper East Side gallery, where his exhibitions often include work by contemporary artists from the New York area alongside antique Native American art, and how studying with Marshall McLuhan at Fordham still influences his perspective. Currently, the gallery is hosting a vibrant three-person show with work by Stephen Maine, Melissa Staiger, and Naomi Cohn called “TECHNIC/ Color.”
Hudson Valley Selected Gallery Guide: November, 2022
This month, don’t forget to look up and admire the trees, which are having the last gasp of color that I’ve always thought is impossible to paint (or photograph) without seeming hopelessly sentimental. Meanwhile, in the galleries, check out “Big Little Color,” an elegant abstraction show at Carrie Haddad featuring geometry, pattern, and sophisticated color. Ashley Garrett, Charlie Goering, and Evan Halter are in “knowing when,” a group show at Turley Gallery that celebrates knowing when to ignore the internal voices and listen, and knowing when to stop. At LABspace Susan Carr is back for another outstanding solo with new work that continues her exploration of, and search for, happiness. And finally, don’t miss “The Material, The Thing,” a big survey of talented Hudson Valley artists at the Dorsky Museum. It’s only on view through November 6.
NYC Selected Gallery Guide: October, 2022
Brooklyn has several strong shows this month, including Michael Ashkin and Patrick Killoran in “Cul-de-sac” at Cathouse Proper. Their email says the exhibition marks “the beginning of the end for the Cathouse FUNeral /Proper gallery project in its current form. ‘Cul-de-sac’ will be the first in a series of shows scheduled for the 2022-2023 season that will celebrate our ten years of art activity — and six years at 524 Projects — by meditating on cultural memory and its relationship to the art object as we bring the current gallery program to a close in June 2023.” Each week they plan to add a new artist to the show. We’re sorry to see Cathouse close, but look forward to the next iteration. In DUMBO, look for Jane Swavely at AIR and Gabrielle Evertz at Minus Space. On the Upper East Side, Claude Viallat has a series of new paintings on old military tarps at Ceysson & Benetiere. On Canal Street, you can’t miss the new expanded Magenta Plains — it’s the big, freshly-painted black building at the entrance to the Manhattan Bridge. Ken Lum, Liza Lacroix, and Chason Matthams each have solos on their own brand new, freshly spackled and painted galleries, one artist per beautiful floor.
Tom Bills’ ground truth
Contributed by Jonathan Stevenson / Tom Bills, for decades primarily a large-scale sculptor, has recently translated that vocation into riveting compact-yet-monumental wall-mounted pieces now on display at 57W57 Arts in midtown Manhattan. Rectangles of modest size, their highly wrought finishes and elliptical narratives invest them with an improbably kinetic presence and stern gravitas that leave the viewer both sobered and assured.
Hudson Valley Selected Gallery Guide: October, 2022
This month, Open Studio Hudson takes place October 8-9. The annual event, conceived and coordinated by Hudson painter Jane Ehrlich, is a great chance to meet the artists and peek behind the scenes of their workspaces, situated in homes, barns, storefronts, warehouses and other unexpected Hudson area locations. On Saturday, October 8th, at 2pm, Tom Burckhardt will be giving an artist’s talk at The Re Institute in Millerton on the occasion of his expansive solo exhibition.
Letter from the Midwest: Fine value at The Bank
Contributed by Jenny Zoe Casey / I recently set out on a five-hour solo road trip from Chicago to Newark, Ohio, to see “Material Investment,” a group show opening at The Bank. I anticipated a first-rate exhibition and was not disappointed. Curated by Leslie Roberts, the show features eleven artists: Lisha Bai, Sean Desiree, Tracey Goodman, Ruth Jeyaveeran, Amanda Love, Alex Paik, Alisa Sikelianos-Carter, Vadis Turner, Kevin Umaña, Mandy Cano Villalobos, and Jeff Wallace. As Roberts notes in her curatorial statement, the artists in this show are “dedicated to particular materials, and each artist intently subverts or stretches those materials’ properties and typical forms.”
Cathy Diamond and Laurie Fader: The romance of painting
Contributed by Margaret McCann / Stylistic affinities hold the paintings of Cathy Diamond and Laurie Fader in “Luscious Wasteland” at Radiator Gallery in amicable rapport, before differences in sensibility emerge. Each painter mines the legacies of German Expressionism and American Abstract Expressionism, among other influences, as confident and direct impulses draw on banks of personal experience. Diamond’s airy but compact Woods in Vermont could have been painted from observation, but reads as an excited engagement with Modernist painting vocabulary more than with motif. Its accrual of rough yet precisely individual marks quickly bunches together. Our eyes dart around its prismatic surface, echoing how one might, in such a dappled thicket, quickly survey a way around the center bottom bramble to reach light.
Hudson Valley Selected Gallery Guide: September, 2022
Contributed by Sharon Butler / In September, as people head back to the city for the beginning of the art season, the Hudson Valley region quiets down somewhat, but many of the galleries will still be open for business. Here’s the rundown.
NYC Selected Gallery Guide: September, 2022
Contributed by Sharon Butler / September traditionally has been the busiest time of the year for artists and galleries in NYC, and not even the Covid-precipitated flight of the past two years can change that.
Radical reorientation: Lauren Dana Smith on leaving Brooklyn
Contributed by Sharon Butler / In the early days of the Covid lockdown, Laura Dana Smith, a former organizer of Bushwick Open Studios, left Brooklyn and moved to Taos, New Mexico. I reached out to learn what Smith’s experience leaving Brooklyn and relocating in Taos has been like.
Hudson Valley Selected Gallery Guide: August, 2022
In August the party continues beyond Upstate Art Weekend, with a slew of interesting shows throughout the Hudson Valley region. On August 13th, I’ll be up in Hillsdale, NY (north of Millerton, west of Great Barrington) for the opening of “Guided by voices,” a group show at LABspace that includes work by me, Yura Adams, Lucy Mink, and Adrian Meraz. Please stop by from 1-5 to say hello!
NYC Selected Gallery Guide: August, 2022
Contributed by Sharon Butler / August is the laziest month in New York. Everyone takes a breath, some leave town, and others gear up for their September shows. That said, there is still plenty to see, usually in air-conditioned comfort. And, because gallerists are understandably loath to open new shows at the end of August, many existing ones get extended beyond announced closing dates.
Undercurrent: Hibernation and emergence
Contributed by Jonathan Stevenson / While a degree of pandemic fatigue is understandable, there’s no denying that lockdown was an extraordinary fact of daily life whose ripple effects have far from dissipated. And insofar as it left artists with more time to think and work, it has yielded an abundance of resonant art. Jillian McDonald’s and Kate Teale’s drawings, now on view at Undercurrent Gallery in Dumbo, are sterling examples.
Lisa Corinne Davis and Shirley Kaneda: Different strokes
Contributed by David Carrier / In the charming traditional galleries of the Studio School, Shirley Kaneda displays six large, vertically-oriented acrylic paintings. Lisa Corinne Davis presents seven oil works of various sizes. Where Kaneda organizes her pictures with playful vertical stripes of high-pitched pale blue or pink, Davis’ pictures are based on grids, disrupted to form swelling nets that enclose but do not entirely capture her forms, which are underneath. These bodies of work thus reveal two distinctly different strategies for pictorial composition. In traditional terms, Kaneda is a painterly artist, a colorist, while Davis works like a draftsperson, in a linear style. Art-historically speaking, if Kaneda renders exquisitely refined images reminiscent of Juan Gris or Sophie Tauber-Arp, Davis maps the structure of the city grid in ways that recall Julia Mehretu.






















