
Dear Readers,
Two Coats of Paint began publishing in 2007, and this past year, thanks to your generous tax-deductible contributions, ongoing support from advertisers, and subsidized rent from the Two Trees Cultural Space Subsidy Program, we have been able to continue for another year. Your funding enabled us to produce articles, pay contributors, promote our intern to a paid position, host resident artists, visit artists’ studios, organize open house events, and curate two exhibitions. All of these activities involved members of the Two Coats community, and we are grateful not only for your financial support, but for your participation.
If independent art projects like Two Coats of Paint are valuable to you, please consider supporting us again in the coming year by making a tax-deductible contribution. No amount is too small.
Here is what your generous financial contributions will support in 2018:
$50 = One post
$45 = The monthly fee for the Two Coats of Paint newsletter service
$150 = A studio visit with an artist
$250 = Utility bills, data storage, wifi, and trash fees for a month
$500 = An artist’s residency for one week
$15/hour = Editorial assistance (directly effects the number of posts we can produce each week)
$775 = Monthly office/residency space rent
To those who have already donated to our 2017 campaign: THANK YOU!
Warmly,
Sharon Butler
P.S. As in past campaigns, contributors who give more than $100 will receive…something. Any suggestions what the gift should be this year? Perhaps we can commission an artist to do a limited edition print? Leave ideas in the Comments section. Must not be too expensive to ship!
MEMORY LANE: Posts from 2017:
- History: Artist-run galleries in NYC in the 1950s and 1960s
- Ken Weathersby: From sculpture to painting
- Infrastructure @ SEMINAR in DUMBO
- Christopher Moss: So not funny
- Drawing portfolio: Tamara Gonzales
- A brief history of food as art
- Art and Film: Elizabeth Murray and the splendor of the ordinary
- How GOP proposals to repeal the Affordable Care Act may affect artists
- Studio visit with Kate Liebman
- Rebecca Morris: Loving the unbeautiful
- The fairs! The fairs!
- Quick study
- A better bonfire at the Whitney: Painting from the 1980s
- Studio visit with Lucia Hierro
- President’s portrait
- Virtuosity: David Humphrey at Fredericks & Freiser
- Quick study
- 2017 College Art Association Conference intel
- Quick study
- Katharina Grosse on canvas
- Ideas and Influences: Brece Honeycutt
- Images: Jered Sprecher’s first museum exhibition
- A few tax resources for artists
- Raymond Pettibon: Long may he buzz
- Free speech: White artist paints Emmett Till, black artists protest
- New subjectivity: Figurative painting at Pratt Manhattan Gallery
- Anxiety and the art fairs, NADA edition
- Alex O’Neal: Hiding Places in a Dream
- Two Coats of Paint Resident Artist: Jim Shrosbree
- I.R. artists at the Kochi-Muziris Biennale in India
- International job, residency, and curatorial opportunities
- Scooter LaForge and the sporadic, subconscious mind
- Rounding the corner: Joan Waltemath at Anita Rogers
- Poet Iris Cushing on ‘There Was,’ Robin Hill’s solo at Lennon, Weinberg
- On elephant dick: A conversation between Todd Bienvenu and Cynthia Daignault
- Quicktime: Fast, casual painting in Philadelphia
- Invitation: ‘Sharon Butler: Good Morning’ at SEASON in Seattle
- Two Coats of Paint artist-in-residence: Julie Wolfe
- CounterPointe: From white cube to black box
- Al Taylor, structurally unique
- Ginny Casey: Disembodied hands and lumps of clay in Philadelphia
- Art and Film: Stefan Zweig and the artist’s abdication
- Landscape in Seattle: Cable Griffith talks to Peter Scherrer
- Images: Art and fresh air at Industry City Open Studios
- Fiction: The Unknown Masterpiece [Honore De Balzac]
- Invitation: A conversation about online arts writing at the National Arts Club
- Email gone wrong: Julian Hatton at Elizabeth Harris
- Update: Ryan McLaughlin
- Images: DUMBO Open Studios
- Catalogue essay: Thomas Micchelli on Cordy Ryman
- Art and Film: Not so simple folk (art)
- Quick study
- Catalogue essay: Raphael Rubinstein on Drew Shiflett
- Email: Daniel Wiener on art in fiction
- Two Coats Selected Gallery Guide / June 19, 2017
- Medrie MacPhee: Flat-out at Tibor de Nagy
- Art and Film: The life and death of a cinephilic boomtown
- When do artists leave the country?
- Images: The 2017 Sharpe-Walentas Studio Program Residents
- Fiction: Consummate Saturday [Paul D’Agostino]
- Images: Elizabeth Gilfilen
- Selections: Trestle’s big show of small works
- Recognition for artists: Sondheim Artscape Prize in Baltimore
- Film: A strategic retreat’s smirk of defiance in DUNKIRK
- Adirondack idyll: Jay Invitational of Clay, Rockwell Kent, Ausable Chasm & more
- Fiction: Light [Rand Richards Cooper]
- ‘Painting Not Painting’ in Baltimore
- Gretchen Frances Bennett’s tenderness
- Images: Becky Brown, Annette Cords, and accidental poetry
- Art and Film: Ghost as witness
- Jobs, jobs, jobs
- EMAIL: Jenny Zoe Casey on the closing of MAPP
- Painter partners: Gary Stephan and Suzanne Joelson
- Art and film: Kogonada and Modernism in ‘Columbus’
- MFA report: Hrag Vartanian finds ‘home’ in RISD painting studios
- Art and film: ‘Detroit’ and Faulkner’s truth
- Quick study
- Philadelphia conversation: Lovitz, Hoffmann, Granwell at Fleisher/Ollman
- Bushwick Open Studios 2017, Part 2
- Two Coats Resident Artist Gyan Shrosbree returns in October
- Leslie Wayne: Beyond painterly
- Bushwick Open Studios 2017 from Bogart to Troutman
- A preview: 2017 Bushwick Open Studios
- Art and Film: Aronofsky’s Bosch-esque mother!
- Artist’s Talk: Cable Griffith
- Calvin Ross Carl’s post-internet confectionary wisdom
- Steve Greene’s afterimages
- Invitation: A Symposium on Contemporary Painting
- Art and Film: Ruben Östlund’s bloated indignation
- Your November Horoscope! by Crystal ‘Kitty’ Shimski
- Fernanda Fragateiro: Commemorative abstraction
- Ideas and Influences: Erika Ranee
- Invitation: Print project in Bushwick this weekend
- Dragged paintings: Studio visit with Margie Livingston
- Sahana Ramakrishnan, Atlas Discussion #179
- Art and Film: Noah Baumbach’s New York state of mind
- Peter Halley: The new unreality
- Pierre Coupey: Beyond the borders
- Lauren Luloff: Drawing (with bleach) from life
- Tom McGlynn: Liberating geometric shapes
- Studio visit with Peter Schenck
- Laurie Sverdlove: Unsettled in Vermont
- Jeremy Hof: The elephant In the room
- Art and film: Billboard as political provocation
- Undergraduate Sketchbook: Phoebe Funderburg-Moore
- Joan Mitchell Foundation 2017 grants: Artist Images and links
- Quick study
- Year-End Fundraising 2017: How you can help
- Warte für Kunst (Waiting for Art) in Kassel, Germany
- Email: Stop the sale, save the art at the Berkshire Museum
- Effects of chance: A conversation with Emily Berger
- Of Latino descent: ‘Radical Women’ in LA
- Elizabeth Murray’s magnificent tensions
- Jay Senetchko: A tale of two empires
- Undergraduate Sketchbook: December 2017
- Laura Owens: So much fun
- On file: Leslie Brack at Cathouse Proper
- Lisa Beck: So-called opposites
- Good incentive: Beth Dary’s drawing
- Art & Film: Liquid asset in The Shape of Water
- Jacqueline Humphries: The Matrix meets Cy Twombly
- Roy Dowell and Richard Kalina: Standing their ground
- Cary Smith’s hand-painted precision


























