Readers who have been following Two Coats of Paint since the beginning know that for ten years I taught at a state university in Connecticut and kept my studio in the attic of an old Victorian house in downtown Mystic. In 2010 I moved back to New York and, after commuting for a few semesters and taking a year-long leave of absence, I left the university. The beautiful blue house went on the market, and this month we sold it to a couple of young architects who apparently appreciate history and like living within walking distance to the historic downtown and the drawbridge. The closing is in a few days, and so we’re in the process of organizing, packing, and redistributing everything. A lot (but not more than 3000 pounds!) went into a dumpster, some will come to New York, and the rest (mostly furniture and the art collection) has been moved to a temporary climate-controlled storage unit in Mystic. After twelve years of reckless accumulation, I’m having a hard time figuring out what to keep and what to throw out. I thought readers might enjoy snaps of some of the images and objects I found in the archive.
[Image at top: A painting my father made of his father in 1953. The painting is so odd that the first real estate agent asked me to take it down because prospective buyers asked too many questions about it. No brainer: this painting is a keeper.]
When I was a graduate student in the MFA program at the University of Connecticut, my service job as a graduate assistant (UConn’s MFA students have always been fully funded) was filing exhibition announcements in the Visual Resource Archives of the Art Library. That was when I realized that exhibition postcards have historic value, and now I have huge boxes of them. Storage or dumpster?
A Kodak slide carousel with an address label from a long-forgotten apartment on the front of the box. The carousel is inside, but the slides have been removed. I think it was from an unsuccessful application to Skowhegan during my senior year in the BFA program at MassArt. Definitely dumpster material.
An outtake from our 2002 holiday card photo shoot. Remember when we used to send holiday cards? Now she’s seventeen. I might have to get a frame for this picture and keep it on the bookcase.
In the course of four days, we made several trips to Goodwill and nearly filled a 14-yard dumpster. I go back to Mystic this weekend for more work, but the project is almost complete. If you want an upright piano, make me an offer.
Studio update: Recent interview at Studio Critical
Is the east end of Connecticut the new Hamptons?
Studio update: Studio visits, exhibitions, new work
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