Art Fairs

Art on paper — and in practice

Martin Assig, St. Paul #704, 2015

Contributed by Jonathan Stevenson / Like VOLTA, the Art on Paper fair on Pier 36 was a modestly gauged and user-friendly alternative to the massive and unwieldy Armory Fair. It also presented consistently rich work from a geographically and stylistically broad range of galleries. Here are a few eye-catching selections. From the Upper East Side (but soon to relocate to a larger space in Chelsea), C. G. Boerner presented a flock of Martin Assigs pastel-and-wax drawings, rich but compact, which with handwritten text inscriptions constitute succinct philosophical essays.

 Henry Jackson, Untitled #63-13, 2013

At the fair’s northeastern edge were San Francisco artist Henry Jackson’s playfully lugubrious edge-of-abstraction paintings — unobtrusively combining oil paint with other media — shown by Stewart Gallery of Boise, Idaho.

Mersuka Dopazo and Teresa Caldern

Two elegantly louche hipsters vibrantly collaged within a single large frame by Mersuka Dopazo and Teresa Caldern, who are from Spain by way of Bali, anchored the booth of Rebecca Hossack Gallery of Soho (and London).

 

Rebecca Morgan, After Party, 2015

Paulson Bott Press (Berkeley, CA) offered a winsome 2014 Martin Puryear etching, abstract though it seems to bow from the chest.

Rebecca Morgan, After Party, 2015
Patrice Charbonneau, Chevet, 2015

Montreal’s Beaux-Arts des Ameriques showcased several of architect-by-training Patrice Charbonneau‘s bright, tactile landscape and interior paintings, which deftly impart the personalities of absent inhabitants to the objects or scenes depicted.

Helen Frankenthaler

Hal Katzen Gallery (E. 78th Street) provided a lot of bang per square foot, arraying small works by Elizabeth Peyton, Alex Katz, Helen Frankenthaler, and David Hockney on a single wall.

Rebecca Morgan, After Party, 2015

And there was no escaping Frank Stella, here by way of his collage displayed by New York’s David Findlay Jr Gallery.

Rebecca Morgan, After Party, 2015
 

Rebecca Morgan‘s wryly off-color and on-target drawings graced a wall for Chelsea’s Asya Geisberg Gallery.

In keeping with its host city, the Art on Paper Fair offered something worth seeing literally around every corner. It was an afternoon well spent.

Related posts:
Rebecca Morgan’s eye on the figurative (and a bit of abstraction)
2016 Spring/Break Art Show Quiz

UES: Rudolf Stingel, Alex Katz, Jane Kent, David Storey, Richard Diebenkorn

 

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Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.

One Comment

  1. Interesting artwork. Thanks for sharing.

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