Tag: Whitney Biennial

Biennial

At the Whitney Biennial: Ali Eyal’s mirthless amusement park

Contributed by Jonathan Stevenson / The 2026 Whitney Biennial is rightly dialed into the world’s abundant strife, most of the selected artists witnessing and declaring it through materials, context, or concept. Ali Eyal, with his knockout of an oil painting Look Where I Took You – arguably the jewel of the exhibition – takes an exceptionally straight-up approach via content. Composed from the memory of a Baghdad amusement park he and his sister visited before the US invasion of Iraq in 2003, when he was nine, the piece spans the strategic arc of the twenty-first century with improbable lyricism while bravely carrying its immense geopolitical freight.

Biennial

Doomscrolling 3-D + IRL: The 2026 Whitney Biennial

Contributed by Sharon Butler / The Whitney Biennial 2026 has a knack for knocking the human project, wistfully and ruefully examining the past, and planting dread about the future. Curators Marcela Guerrero and Drew Sawyer, with Beatriz Cifuentes and Carina Martinez, made 300 studio visits, ultimately winnowing the roster down to 56 artists, duos, and collectives. The curators’ definition of what is “American” is expansive; the artists’ birthplaces span the globe, and many have settled in the US after fleeing wars and other forms of political turmoil….

Conversation

Susanna Tanger: 50 years around Mulberry Street

Contributed by Natasha Sweeten / A few winters ago, in a small town upstate, I met my neighbor, the artist Susanna Tanger. She’d invited me for tea, and as we got to know each other I felt grateful to have a kindred spirit nearby. Her paintings seemed to grow from concentrated, layered planes of light, the soft colors humming and communing with river vistas framed by her studio windows. Our neighborship was brief. Susanna returned full-time to her Soho loft, where she’s lived and worked since 1975. But her short biography seemed compelling: she’d arrived in NYC in her early twenties to a burgeoning art community, maintained a studio practice, and raised two children as a single parent. I had the urge to learn more about her.

Museum Exhibitions

The Whitney Biennial: On the heels of trauma

Contributed by Laurie Fendrich / While an artist friend and I were having dinner together after seeing the Whitney Biennial, she suddenly said” “Art is a cult.” For a second, I thought she was joking – I mean, art is truth and goodness, cults are lies and wickedness. Then I realized how much sense it made.