Contributed by Sharon Butler / Jane Swavely has lived and worked in a loft overlooking the Bowery since the 1980s when she was an SVA student and later a studio assistant to Brice Marden. Since “Jinx,” her pre-pandemic solo show at A.I.R. gallery, Jane’s work has become more subtractive, with […]
Tag: Sharon Butler
Contributed by Sharon Butler / This month many of the February shows will be on view for another week or two, so if you missed any, such as, for instance, Rochelle Feinstein (Candice Madey and Brigette Donahue, LES) or David Diao (Postmasters, Tribeca), you have a little more time. Recently opened shows include Zachary Keeting at Underdonk in Bushwick, Harriet Korman at Thomas Erben in Chelsea, and Kathy Butterly at James Cohan in Tribeca. We’ll update mid-month when the next wave of openings takes place.
Contributed by Sharon Butler / Howard Smith�s understated paintings, on view at Jane Lombard Gallery, are created through a meticulous process of accumulation. Call the technique abstract pointillism. The surfaces are covered with small dots, dashes and brushstrokes, building loosely woven fields of color that sometimes form recognizable geometric shapes. The pieces in this show vary in size from one-inch to eight-feet wide, but the size of the marks remains the same. In most, the color at first glance appears monochromatic, but subtle variations within unified fields create illusions of light and shallow space. In his most recent paintings, the smallest flecks of color are innovatively contrasted with larger dots of different colors. Smith has spent years working in this way. It must be intensely hermetic and time-consuming, but it seems to have been rewarding.
Contributed by Sharon Butler / What conceptual painter hasn�t looked at an Ikea how-to diagram and at least fleetingly thought it would make a fine subject for a painting? David Diao has gone farther, deconstructing a Gerrit Rietveld chair and using the shapes and colors as the subjects for a new series of paintings, on view at Postmasters through March 12.
Contributed by Sharon Butler / In 2012, artist, writer, and curator Brian Edmonds founded Curating Contemporary, an online exhibition space that, since its inception, has hosted over fifty exhibitions. Then, in 2019, Edmonds took his project to print, and began publishing Eraser, a biannual book featuring the work of contemporary artists and writers. This year he has organized an exhibition called “Eraser” at Ground Floor Contemporary, in Birmingham, Alabama, that brings together some of the artists who have been featured in his publications. I’m pleased to be included in the fourth Eraser book and also to have two paintings in the show, alongside work by a great group of artists: Matt Kleberg, Jered Sprecher, Jason Stopa, Sean Sullivan, Vadis Turner, Cecilia Vissers, Don Voisine, and Thornton Willis.
Contributed by Sharon Butler / What’s up February? I’m looking forward to stopping by Ortega y Gasset in Gowanus to see “Surface Tension,” a group show featuring work by Dexter Ciprian, Rachel Granofsky, Christina Graham, Kirstin Lamb, Caitlin Macbride, and Sarah Pater, artists who seem to cast the picture plane as an unreliable narrator. In Tribeca, I’ll be checking out David Diao’s new Berlin Chair paintings on view at Postmasters. On the Lower East Side, Rochelle Feinstein, another painters’ favorite, has a show across two venues, Bridget Donahue and Candice Madey. 106 Green, long located on Green Street in Greenpoint, has reopened at 75 East Broadway. They have a charming two-person exhibition with sculptures by Keiko Narahashi and paintings by Erin O�Brien on view through February 19. In Chelsea, McEnery is showing Roy Dowell’s loose geometric pictures and Erin Lawlor’s dramatic brushy gesturals. More news: Hannah Traore has opened a space at 150 Orchard Street and Marinaro has moved to a new space on Broadway in Noho.
Contributed by Sharon Butler / If January feels dreary, cheer up. Take a look at this long, interesting list of exhibtions that are opening in NYC.
Contributed by Sharon Butler / In New York City, during the lockdown of 2020, my neighbors disappeared. Some left town, others stayed in their apartments for weeks on end. Home Sweet, a group show on view at Frosch & Co through January 16, conjures those early pandemic days, when many of us made modest home-bound work that ruminated on our diminished circumstances and involuntary domesticity.
Well, it’s December, and this is the last Two Coats Selected Gallery Guide for the year. I love you, NYC art community, for making this the best art town on the planet.
Stephen Westfall has engaged with geometric abstraction in singularly rich and sophisticated ways for more than thirty years, never complacent but always considered. Last week, I had the opportunity to talk with him at Alexandres new Lower East Side space, where his work is on view through December 22.