An award-winning NYC blogazine, primarily about painting
Friday, December 19, 2025
Contributed by A.V. Ryan / Jill Nathanson’s solo show “Chord Field” opened in late June at Berry Campbell Gallery. It is her fourth at the gallery but her first in its spacious, skylit new space. It seemed a fine opportunity to talk to her about her work, new and old.
“Deja Vu? Revealing Repetition in French Masterpieces,” organized by Eik Kahng. Walters Art Museum, Baltimore, MD. Through Jan. 1. Phoenix Art Museum, January 20 through […]
“Kindred Spirits: Asher B. Durand and the American Landscape,” organized by Linda S. Ferber, curated by Eleanor Harvey. Smithsoniam Amercian Art Museum, Washington, DC. Sept. […]
In Stephanie Strom’s report on charitable giving in the NYTimes, take a look at Sean Scully’s big, juicy painting hanging behind philanthropist Eli Broad in […]
On artnet, Donald Kuspit’s erudite review of Sean Scully’s show (Sept. 26, 2006-Jan. 15, 2007) at NYC’s Metropolitan Museum of Art. For anyone interested in […]
