Award-winning blogazine, primarily about painting
Monday, September 25, 2023
Contributed by Peter Plagens / San Pedro is a tough town. Actually it�s technically part of Los Angeles; L.A. saw to that by making the north-and-south Harbor Freeway and a swath to either side of it, part of the city, so it could run what has become the largest container […]
Contributed by Peter Plagens / When the annual The Armory Show art fair�which takes place on the piers on the Hudson River in New York�rolled around in 2008, the recession was in full swing. Dealers were scared, and bargains (on an art-collector scale of things, of course) were there for […]
Contributed by Peter Plagens / Serious studio art classes cannot be taught online. Oh, they can be �taught��if the professors and students accept, in a parallel to what my father used to say about cheap frozen pizza, a �cheese-like substance� in place of real cheese. That is, if everybody settles […]
Heidi Pollard, “Honey,” 2005, oil on canvas, 48 x 48″ Mark Mullin, “Falling When Plotting,” 2009, oil and marker, 78 x 66″ Peter Plagens, “Untitled,” 2007, mixed media on canvas, 96 x 144″ Pioneer of abstract art and eminent aesthetic theorist, Vasily Kandinsky (b. 1866, Moscow; d. 1944, Neuilly-sur-Seine, France) […]
Peter Plagens, painter and longtime art critic for Newsweek magazine, has written The Art Critic, a novel which will be published on artnet. According to Regina Hackett, it’s being published in serial form, one chapter a week for 24 weeks. If you see yourself in any of the characters, remember […]
For the next few days, Laurie Fendrich and husband Peter Plagens are the visiting artists at Painting’s Edge art colony in Idyllwild, California. They are among the 17 artists and critics scheduled to give lectures and critiques during the two week residency, which, unlike others, is exclusively for painters. Fendrich […]
The entire survey can now be found at Homework assignment: Art Blogger Survey.
At Grammar.police, Kriston Capps invited art bloggers to answer the questions Peter Plagens formulated for his Art in America roundtable discussion about art blogs: “Of course the great advantage to the blogosphere over print media is its boundlessness,” Kriston writes. “After reading the Art in America roundtable on art blogs […]
Two Coats Obituaries
Two Coats of Paint is celebrating National Daughter’s Day by honoring Lena, who some of you may recall was the mastermind behind our Social Media Services Project a few years ago. She has since opened her own business @honeyhomeofbeauty in #OldMysticCT. Love you @lena.alohalani ❤️🏆❤️ Daughter, visionary, and muse.
Image: @meadowflowerphotography #honeyhomeofbeauty @mystic_disc #burningman mysticct
Latest post, link in profile / Elisa D’Arrigo: Between the beautiful and the grotesque / Contributed by Kay Whitney / There is a fundamental paradox at work in Elisa D’Arrigo’s ceramic objects – while they are unmistakably beautiful, they break every standard for what is considered “beautiful.” They are small, shambolic, eccentric objects lacking symmetry; they are not overtly colorful and don’t attempt to please. They are humble, not loudly announcing nor applauding their own appearance; understated and private, the viewer must come to them. Rather than exhibiting the mechanical surfaces of a wheel-thrown or machine-made object, her forms bear the imprint of her hands and in that way reveal the processes of their making. If there is any other artist with whom her work could be compared only George Ohr, the “mad potter of Biloxi,” comes to mind. His small “puzzle mugs” demonstrate the same sensibility — simultaneously humorous and serious, their extraordinary eccentric surfaces and coloration are reminiscent of D’Arrigo’s, exposing a shared aesthetic. Link in profile
@elisadarrigo1 @elizabethharrisgallery @k.whtny #ceramics #chelseagalleries
Image: Elisa D’Arrigo, Making a Move 6, 2023 7 x 6.5 x 4 inches, courtesy of the artist & Elizabeth Harris Gallery
“Something darkly set itself at our senses’ five thresholds without stepping over them,” a cinematic two-person show @bonnierskonsthall with Tulsa Lovell and Sara-Vide Ericson, is a haunting mediation on the past, the future, and the inexorable force of nature. In terms of craft and content, unlike anything I’ve seen in NYC. Or is it? Images are tagged.
@tildalovell @saravidee #swedishartists #konsthall #theatricalinstallation #manvsnature #bonnierskonsthall
Snapshot: Overlooking the Central Baltic Sea from @fotografiska.stockholm. We saw the @shirin__neshat and @therealpeterlindbergh shows — strange combo, but both moving in their own way. The place is dark and loud — more like a nightclub than a gallery. The bar on the top floor is beautiful.
Latest post, link in profile / Inside: Arthouse art house / Contributed by Jonathan Stevenson / The set-up of Vasilis Katsoupis’ slickly but somewhat facilely resonant feature debut Inside is deceptively simple. A high-end art thief is helicoptered onto the roof of a luxury Manhattan high-rise and, with the aid of a techie accomplice, hacks into the security system of an absurdly opulent penthouse, owned by a high-end art collector who is evidently away for a season or two. The thief is targeting several of Egon Schiele’s signature vampy drawings and a singularly valuable self-portrait. Link in profile
@insidethefilm #insidethefilm #jonathanstevenson #twocoatsofpaint #filmreview #wilemdafoe #VasilisKatsoupis
Surprise: #PatriciaTreib solo on view in Stockholm @galerie_nordenhake 💥 beautiful paintings, elegantly installed ❤️
Swedish-born and UK-based, artist, activist, writer and eco-feminist Monica Sjöö (31 December 1938 - 8 August 2005) fought for freedom from oppression, but especially for women’s rights. “THE GREAT COSMIC MOTHER” @modernamuseet is her first retrospective. Swipe for the image that was considered blasphemous and obscene in the 1970s.
Rejecting abstract art as a Western male privilege, she asked: “How does one communicate women’s strength, struggle, rising up from oppression, blood, childbirth, sexuality – in stripes and triangles?”
#MonicaSjöö #cosmicmother #modernamuseet #stockholm
In the studio of Prince Eugen Napoleon Nicolaus of Sweden and Norway, Duke of Närke (1 August 1865 – 17 August 1947) was a Swedish painter, art collector, and patron of artists. Swipe through for a wide angle of his attic studio. Yes, it has a water view :) #stockholmartist #Waldemarsudde #Djurgården #princeeugen #landscapepainting
