Contributed by Amanda Church / Conjuring The Cure’s 1987 song Just Like Heaven – which proclaims “you’re just like a dream” – Karin Davie’s eight new large-scale paintings on view at Miles McEnery Gallery, all oil on linen, transport us to a realm of sensation and association. Here her wavy imagery, which she has been developing in one form or another since the 1990s, immediately evokes the swells and dips of the ocean’s surface as well as recalling the fluid lines essential to the work of painters like Sol LeWitt, Brice Marden, Bridget Riley, Moira Dryer, and late de Kooning, albeit to varying effect.
Tag: Moira Dryer
Jill Nathanson: Beyond Color Field painting
Contributed by A.V. Ryan / Jill Nathanson’s solo show “Chord Field” opened in late June at Berry Campbell Gallery. It is her fourth at the gallery but her first in its spacious, skylit new space. It seemed a fine opportunity to talk to her about her work, new and old.
The uppercrust on display in “Wave Pattern”
Contributed by Jacob Patrick Brooks / The lofts of downtown New York occupy a special place in American art history. They functioned most importantly as incubators for Abstract Expressionism in the 1950s, eventually giving way to the galleries of the 1980s and 1990s. Today, the spaces once occupied by Barbara Gladstone, Pat Hearn, and Willem de Kooning have been replaced with Uniqlo, Nike, and expansive apartments for the super wealthy. In “Wave Pattern,” a downtown apartment show on the sixth floor of an unassuming Broadway building, art world scions Dylan Brant and Max Werner provide some relief from this cluttered, big-box nightmare.
Moira Dryer: Satisfyingly complete
Contributed by Laurie Fendrich / Moira Dryer (b. 1957; d. 1992) was among the first painters in the 1980s and �90s to reject minimalism and […]
Moira Dryer’s creative process
Blake Thorne reports in the Kalamazoo Gazette that shortly after spotting work by Moira Dryer in NYC, Don Desmett, the director of exhibitions at Western […]



















