Contributed by Adam Simon / At one time I would have said the paintings of Lindsay Walt fell within the domain of Minimalism. It’s clear from her current show at Helm Contemporary that the designation doesn’t fit. More representative of that genre was the inspired pairing at the same gallery of Russell Maltz and Li Trincere back in June. By contrast, Walt’s atmospheric grounds paired with geometric forms don’t fit the austerity of Minimalism from the 1960s and 1970s. Instead, these works fuse opposites in a dialectic that tilts towards the infinite space and transcendentalism of an artist like Hilma Af Klint.
Tag: Li Trincere
AAA at 90: Keep on looking
Contributed by Leslie Roberts / The exhibition “Abstract by Definition” at Art Cake celebrates the 90th anniversary of the American Abstract Artists (AAA). The show is subtitled “An Index,” but is not one in the usual sense – not, that is, an itemized set of categories, styles, intentions, or formal languages defining abstract art. Curator Saul Ostrow has instead organized groups of several works – usually four. This installation effectively highlights the particular qualities of each piece, and emphasizes the diversity of what we call contemporary abstraction.
Li Trincere in context
Contributed by Saul Ostrow / Seeing a selection of Li Trincere’s works from 1986–90 and 2020-21, I realized to review her show one would have to establish a context for her work. Thinking about that, I realized she is part of a lost generation of abstract painters, which consist of various groupings of artists working in styles rooted in the hard-edge, geometric tradition. What these artists have in common is they resist the industrial aesthetic of Pop and Minimalism.

























