Contributed by Lore Heller / “MILK TEETH,” the title of Kate Hargrave’s show at Karma, implies both permanent loss and permanent gain. One gains milk teeth as a baby and loses them as adult teeth take their place. If children place them under their pillows, fairies might bring rewards. Losing milk teeth is losing childhood, developing permanent teeth coming of age – reminders to parents that time inexorably arcs life. Joni Mitchell observed that “we’re captive on the carousel of time,” and my grandmother’s lullaby, “toyland, toyland, beautiful boy and girl land,” reminds us that “once you cross its borders you may never return again.” Hargrave, who painted this work as she raised two children, captures this pervasively bittersweet quality.
Tag: Laurie Heller Marcus
Lee Tribe: Between paint and steel
Contributed by Laurie Heller Marcus / Paint on sculpture can disrupt our spatial savvy, challenging habits of looking we bring to the interpretation of form. Lee Tribe plays with them in a variety of ways in his current show “Catching the Sun” at Victoria Munroe Fine Art. As a sculptor, he’s played the long game. Trained at a young age as a welder in the shipyards of his native England, Tribe later studied at St. Martin’s College of Art with Anthony Caro and William Tucker, a long-time friend and mentor. After moving to the United States, he immersed himself in painting, noting how marks move the viewer through the composition of an image.









