Contributed by Clare Gemima / Analog Diary’s group exhibition “Chromazones” – curated by Derek Eller, Abby Messitte, Katharine Overgaard and Franklin Parrasch – features a wide, intergenerational array of artists. Many works, including Clare Grill’s Plant, Pam Glick’s Cat, Dog, Car, Sky, and Yukine Yanagi’s Chrysalis, are traditional oil paintings. Others utilize unconventional materials, such as glitter, which is found in Chris Martin’s Fireflies, or gemstones, which appear in Alteronce Gumby’s I can’t stop thinking about love. And there are ceramic sculptures, like Peter Shire’s Scozzese and Ken Price’s Iggy. The show confronts viewers with abundant color. While that may be a narrow parameter, here it provides insight into each artist’s approach to material and method of application.
Tag: Emma Soucek
Contributed by Linn�a Borgo /�On a hot Brooklyn afternoon, Emma Soucek and I met at Safe Gallery to discuss her two-person show with the late Maddy Parrasch. The three of us�had been students at Rhode Island School of Design before Maddy died in a car accident shortly after she had […]