Contributed by Tena Saw / Emily Kraus’s paintings are stuttering fields of glitches and agitation that shake and swagger like a Warhol Elvis. Her debut New York solo exhibition at Luhring Augustine Tribeca arrives with a kind of procedural mythology already attached. The artist works inside a self-designed apparatus, feeding raw canvas through rollers, painting in collaboration with the machine. The paintings come into being from pressure, friction, and chance.