Contributed by Tena Saw / Emily Kraus’s paintings are stuttering fields of glitches and agitation that shake and swagger like a Warhol Elvis. Her debut New York solo exhibition at Luhring Augustine Tribeca arrives with a kind of procedural mythology already attached. The artist works inside a self-designed apparatus, feeding raw canvas through rollers, painting in collaboration with the machine. The paintings come into being from pressure, friction, and chance.
Tag: Elvis
Claudia Parducci: Catching the falling dust
Contributed by Doug Milford / Good art can have multiple sources of meaning – material, color, scale, intention, chance, change, process, metaphor, ontology, epistemology, philosophy, biography, zeitgeist, history, and more. These may or may not be apparent or even deliberate, but they make up the work’s internal structure and shape its style. Ideally though certainly not always, these influences operate in concert while remaining distinct. The nine works in Claudia Parducci’s exhibition “Blue”, at Ochi Gallery in Los Angeles in February and March, achieve this balance, both as individual pieces and as an ensemble. The six years that had passed since her previous show included a three-year hiatus from painting after the death of her husband, the artist Peter Alexander, in 2020. This body of work was a response to his passing.

























