Contributed by Jenny Zoe Casey / In “Kin Terrains,” nonagenarian Bascha Mon’s second exhibition at Tappeto Volante Gallery, Unfinished stands out for its semi-representational approach and for rich, lively colors that reflect Mon’s early-career affinity for Vuillard, among other influences. Made in the 1980s, it is the oldest piece in the show and clearly informs her subsequent work. From the left, the smallest arch reads as a turquoise alcove, a chair resting against it in a space containing other furniture. Behind the alcove are white-barked trees in a purple-green dusk. The color connects the area inside the arch to the trees, but a larger entryway appears blocked, going nowhere. To the right, however, a larger arch is open both to the viewer and a lake in the background. Unfinished’s patented shapes are found in some form in all but two pieces in show, though they become lumpier, irregular, and roughly oval.