Artist and citizen naturalist Brece Honeycutt lives in Massachusetts, on a colonial farmhouse in the foothills of the Berkshire mountains. Fascinated with the history of […]
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Storage or dumpster? Organizing the archives
Readers who have been following Two Coats of Paint since the beginning know that for ten years I taught at a state university in Connecticut […]
Gedi Sibony’s backwards images in Greater New York
In “Greater New York” at MoMA PS1, Gedi Sibony, known for his early assemblages of carpet and drywall, is represented by nine framed pieces that […]
Interview: Daniel Kingery in Hunt’s Point
Contributed by Rob Kaiser-Schatzlein / The four paintings I looked at in Daniel Kingery‘s Bronx studio are all medium-sized, human scale. Paint application strategies vary […]
Report: “Command-Z” at Improvised Showboat
Improvised Showboat, a curatorial project developed by artists Zachary Keeting and Lauren Britton, mounted its seventh one-night show this past weekend in my new […]
Web world: The New Museum’s 2015 Triennial
Entering the New Museum’s 2015 Triennial “Surround Audience” is like stepping into someone else�s search history. If you�re passionate about the same information that he […]
Jerry Saltz’s burden
James Panero and me discussing social networking media face-to-face over pizza and beer at an exhibition at STOREFRONT in Bushwick. Photo courtesy Jason Andrew. In […]
The discourse: Helen Frankenthaler
�Painting is very private and personal….There�s an emotional content, but I�m more involved in the light and color and drawing of a painting. I don�t […]
Frieze: Unprimed immediacy
Since the early days of Color Field painting, working on unprimed canvas or linen has given the impression of a certain unfinished immediacy–more like the […]
Helen Frankenthaler: More profound than lyric
After seeing the exhibition at Gagosian, I’ve become a huge Helen Frankenthaler fan. Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture […]
SAM slam
Lee Rosenbaum Lee Rosenbaum reports today in the Wall Street Journal: “Most museums expand to make room for their existing permanent collections. The Seattle Art […]
“Someone is going to come ’round here and buy all my paintings at one time for $40,000.”
Earl Cunningham (1893 – 1977), a prolific landscape artist who worked from memory, is considered a “folk modernist” whose work conveys some of the complex […]
Mike Bayne says, “I don’t know.”
Two Coats of Paint’s inbox is awash with gallery press releases this week, some more compelling than others. Canadian Mike Bayne, whose first NYC solo […]
Roberta Smith’s advice to young artists: Learn to paint
In the NY Times, Roberta Smith reports that the artists included in “How Soon Is Now?” the 28th version of the annual culmination of the […]
The Constructivist’s battle against aestheticism
In case you’ve heard the term “constructivism” bandied about in discussions of Shepard Fairey and ObamArt, but aren’t quite sure what it actually means, check […]
Munch: Navigating the messiness of his own present
The Munch exhibition at the Art Institute of Chicago, curated by Jay A. Clarke, brings together approximately 150 works, including 75 paintings and 75 works […]




























